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House à Castres dans le Tarn

House

    31 Rue de l'Hôtel de ville
    81100 Castres
Private property
Crédit photo : Christian Viala - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
XVIe siècle
Initial construction
XIXe siècle
Modernisation of arcades
30 novembre 1960
Partial classification
Aujourd'hui
Aujourd'hui

Heritage classified

Portal: registration by order of 30 November 1960

Key figures

Jacques de Fos - Consul of Castres Initial sponsor in the 16th century.

Origin and history

The house Defos is an iconic building located in Castres, Tarn department, Occitanie region. Although its origin dates back to the 16th century under the impulse of Jacques de Fos, consul of Castres, it underwent major transformations, notably on the upper floors and on the ground floor, where medieval arcades were replaced by modern fronts in the 19th century. Its most remarkable element remains its portal, typical of classical architecture, with a door in the middle topped by a triangular pediment.

The portal is distinguished by its two canned and curved columns, decorated with richly carved capitals. These include various motifs: astragal, gorgerin, oves, and an abacus decorated with inclined sticks. The scabs are enhanced with diamond tips, while a caisson architrave supports a triglyphal alternating frieze and metopes with warrior emblems. This portal, the only protected element, was listed as historical monuments by order of 30 November 1960.

The history of the Defos House reflects the architectural and urban evolutions of Castres, a city marked by its medieval past and its development in modern and contemporary times. Although the floors have been redesigned and the ground floor has lost its original arcades, the portal retains stylistic details that reflect the influence of classic cannons on the civil architecture of the region. The house thus illustrates the transition between the Renaissance and Baroque periods, while bearing the traces of subsequent adaptations to the commercial and aesthetic needs of the following centuries.

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