Fire and division 1580 (≈ 1580)
Building divided into hostellerie and brewery.
1597
Spanish Passage
Spanish Passage 1597 (≈ 1597)
Damage during the League's wars.
1635
Thirty Years' War
Thirty Years' War 1635 (≈ 1635)
New damage to the village.
XVe-XVIe siècles
Initial construction
Initial construction XVe-XVIe siècles (≈ 1650)
Period of construction of the Gothic house.
1840
Historical monument classification
Historical monument classification 1840 (≈ 1840)
First list of protected monuments.
XIXe siècle
Misallocation of Templars
Misallocation of Templars XIXe siècle (≈ 1865)
Historical confusion on its origin.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Maison des Templiers : liste de 1840
Key figures
Frères Duthoit - Artists-drawing
Authors of sketches kept in Amiens.
Roselyne Bulan et Marcel Evrard - Local historians
Authors of a study on Domart-en-Ponthieu.
Auguste Janvier et Charles Bréart - History
Authors of a book on local history.
Origin and history
The so-called "Templars" or "Echevinal" is in reality a 15th and 16th century civil building, located in Domart-en-Ponthieu (Somme). Although its name evokes the Templars, there is no historical connection with this order: they have never owned property in the commune. The name "echevinal house" is also wrong, as the meetings of the aldermen were held elsewhere in the village. Originally, this massive limestone house, decorated with Gothic arcades, probably belonged to a rich layman and was nicknamed the "Grand Hotel" in the 16th century.
In 1580, a fire seriously damaged the building, leading to its division into two parts: a hostelry (Saint-Nicolas) on the left and a brewery on the right. Despite the destruction suffered during the wars of the League (passage of the Spanish in 1597) and the Thirty Years War (from 1635), the structure survived. Subsequent changes, such as the loss of the original openings to the left and the transformations to the right, altered its initial appearance. The Duthoit brothers made drawings of them preserved at the Picardie Museum in Amiens.
It was in the 19th century that the building was wrongly associated with the Templars, then with the echevinage. As early as 1840, he was one of the first listed historical monuments in France. Its facade, marked by six arches in third-point and three-legged windows, illustrates the Gothic civil architecture of the region. Written sources, such as the works of Roselyne Bulan or Auguste January, confirm its heritage importance, although its exact history remains partially enigmatic.
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