Construction of church 1830-1839 (≈ 1835)
Built by Charles-Félix Saint-Père on an old site.
1942-1943
Making wall paintings
Making wall paintings 1942-1943 (≈ 1943)
Maumejean's work inside.
20 juillet 1992
Historical Monument
Historical Monument 20 juillet 1992 (≈ 1992)
Registration by official order.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Église Notre-Dame-de-l'Assomption (Box BM 197): inscription by order of 20 July 1992
Key figures
Charles-Félix Saint-Père - Owner
Church architect (1830-1839).
Maumejean - Artist painter
Author of frescoes (1942-1943).
Origin and history
The Church of Our Lady of the Assumption of Marsannay-la-Côte, located in the department of the Gold Coast (21), is an emblematic monument of 19th century neo-classical architecture. Built between 1830 and 1839 by Charles-Félix Saint-Père, it replaces an earlier building and is distinguished by its rectangular plan oriented north-south. Its Renaissance-inspired porch is surmounted by a triangular pediment, while a square bell tower dominates the sacristy to the south. Inside, a wall painting made between 1942 and 1943 by Maumejean adds a modern artistic touch.
The monument, classified by decree of 20 July 1992, illustrates the evolution of architectural styles in Burgundy. The porch, added after the initial construction, and the square bell tower reflect various influences, blending classicism and functionality. Owned by the commune, the church is part of a local heritage marked by works such as those described in the General Description of the Duchy of Burgundy (Court Sword and Béguillet, 1967-1968), highlighting its historical and cultural anchor.
The building, open to the public, also bears witness to the religious and community life of Marsannay-la-Côte. Its precise location, 9 Place Monseigneur Favier, and its state of conservation (which is considered "very satisfactory") make it an accessible and representative place of Burgundy heritage. Sources, such as Monumentum and the communal archives, confirm its central role in local history, between medieval heritage and modernity.
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