Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The bell tower: by order of 30 December 1913
Key figures
Déverin - Architect
Responsible for work in the 20th century.
Origin and history
The church of Saint-Hilaire de Jardres, classified as a Historical Monument, presents a mixture of architectural elements from several epochs. Of the 12th century the sanctuary and the bell tower remain mainly, the latter being a remarkable example of the transition between the square of the base and the summital octagon. This bell tower, covered with a polygonal slate arrow, is flanked by foothills and pierced with bays in the middle of the hanger. Inside, a trumpet dome supports the octagonal part, illustrating a constructive technique typical of Poitevin Romanesque art.
The nave, originally unique, was rebuilt and expanded by the addition of two side chapels, thus modifying the original plan. These transformations, as well as the restorations carried out in the 19th century, altered the primitive appearance of the building. The architect Déverin contributed, in particular, at the beginning of the 20th century, to the addition of a northern chapel and to the renovation of the vaults of the nave. The bell tower, on the other hand, would rather date from the thirteenth century, adding a chronological complexity to the whole.
The church Saint-Hilaire was partially protected, with the classification of its bell tower by order of 30 December 1913. This monument, owned by the commune of Jardres, reflects the architectural developments and liturgical needs of a rural parish, from the Middle Ages to modern restorations. Its present state is the result of a long history, marked by successive adaptations and interventions designed to preserve its heritage.
The location of the building, in the department of Vienna in New Aquitaine, is part of a territory rich in Romanesque heritage. The church, located on Rue de la Vallée Chauveau, remains a historical and cultural landmark for the municipality, although its geographical accuracy is considered only a priori satisfactory according to available sources. The materials used, such as the flat tile for the bedside or the slate for the nave and the bell tower, bear witness to the local resources and craftsmanship of the time.
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