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Saint Martin de Fontaine-la-Soret Church à Fontaine-la-Soret dans l'Eure

Patrimoine classé
Patrimoine religieux
Eglise romane et gothique
Eure

Saint Martin de Fontaine-la-Soret Church

    2 Place de l'Église
    27550 Nassandres sur Risle
Église Saint-Martin de Fontaine-la-Soret
Église Saint-Martin de Fontaine-la-Soret
Église Saint-Martin de Fontaine-la-Soret
Église Saint-Martin de Fontaine-la-Soret
Église Saint-Martin de Fontaine-la-Soret
Église Saint-Martin de Fontaine-la-Soret
Église Saint-Martin de Fontaine-la-Soret
Église Saint-Martin de Fontaine-la-Soret
Église Saint-Martin de Fontaine-la-Soret
Église Saint-Martin de Fontaine-la-Soret
Crédit photo : Giogo - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1600
1700
1800
1900
2000
XIe siècle
Initial construction
XVIe siècle
Gothic renovations
1846
Historical classification
1956
Modern stained glass
Aujourd'hui
Aujourd'hui

Heritage classified

Church: ranking by list of 1846

Key figures

Georges Rouault - Glass artist Author of a stained glass window in 1956.
Paul Bony - Collaborating Artist Cosignatory of the modern stained glass.

Origin and history

Saint-Martin de Fontaine-la-Soret Church, located in the Eure department in Normandy, is a 11th-century religious building. Built in stone according to a traditional basilical plan, it features architecture combining the flamboyant Romanesque and Gothic styles. Its massive bell tower, covered in slate, and its apse adorned with a flint checker testify to its medieval heritage. Ranked a historic monument in 1846, it preserves remarkable architectural and artistic elements, such as 16th and 20th century stained glass windows, oak stalls, and ancient statues.

Inside, the church houses several protected works, including a 16th century stained glass window depicting religious scenes, as well as a credence-lavabo and carved stalls of the same period. A modern stained glass window, signed by Georges Rouault and Paul Bony in 1956, adds a contemporary touch to this historic ensemble. Liturgical objects, such as a wooden eagle-lutrin or an 18th century baptismal tank, illustrate the evolution of religious and artistic practices throughout the centuries.

The building, owned by the commune, is a typical example of Norman rural churches, marked by successive changes. Its early ranking in 1846 underscores its heritage importance. Available sources, such as the Merimée and Wikipedia, confirm its status as an emblematic monument of the region, mixing local history and sacred art.

External links