Initial construction XIIe siècle (≈ 1250)
Romanesque core of the built church.
XIIIe siècle
Apse not vaulted
Apse not vaulted XIIIe siècle (≈ 1350)
Absidial part probably unfinished.
XVe siècle
Gothic changes
Gothic changes XVe siècle (≈ 1550)
Added the bell tower and portal.
vers 1659
Funeral chapel
Funeral chapel vers 1659 (≈ 1659)
Construction by Charles Duval.
1909
Historical Monument
Historical Monument 1909 (≈ 1909)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: Order of 14 October 1909
Key figures
Charles Duval - Sieur de Varaise and concierge of royal prisons
Sponsor of the funeral chapel around 1659.
Agnès Barroso - Table restorer
Revealed a coat of arms on *Couronnement de Marie*.
Origin and history
The Saint-Georges church of Saint-Georges-des-Coteaux, located in the Charente-Maritime department, is a building dating back to the 12th century. Built around a Romanesque nucleus, it underwent major changes between the 12th and 15th centuries, including the addition of a Gothic bell tower and a Western gate. Its 13th century apse, probably never vaulted, and its flat bedside with a Romanesque bay testify to this composite architectural evolution.
In the 15th century, the church was enriched with a staircase to the west of the choir, the oldest part of the building. A funeral chapel was added there around 1659 by Charles Duval, Sieur de Varaise and concierge of the royal prisons of Saintes, to be buried there. The building also houses protected paintings, including a Saint George on horseback and a Sainte-Famille, as well as a 17th century Coronation of Mary, restored and revealing a hidden coat of arms.
Ranked a historic monument in 1909, the church is accompanied by a calvary and a monument to the dead on its southern face. Traces of the old cemetery around it still remain. Its architecture thus combines Romanesque, Gothic and later additions, reflecting rich history and varied uses, from worship to burial of local notables.
The octagonal dome on tubes, located at the cross of the transept, and the protected paintings highlight its heritage importance. The sources also mention its precise location at the Impasse du Presbytere, confirming its anchoring in the historic urban fabric of Saint-Georges-des-Coteaux.
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