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Saint-Martin-de-Tours d'Acigné Church en Ille-et-Vilaine

Ille-et-Vilaine

Saint-Martin-de-Tours d'Acigné Church

    1 Rue Saint-Louis
    35690 Acigné

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1700
1800
1900
2000
1160
First mention of a church
XVIe et XVIIe siècles
Reconstruction of the old church
1901-1904
Reconstruction of the current church
Début XXe siècle
Creation of stained glass windows
Aujourd'hui
Aujourd'hui

Key figures

Arthur Regnault - Architect Designed the plans of the current church.
Pierre Lalouyer - Donor and Bishop Offered the window of the Annunciation before becoming bishop in Manchuria.
Pape Pie X - Supreme Pontiff Arms present on the window of the Holy Family.
Abbé Théophile Seveille - Vicar and donor Finished the window of the Holy Family.
Pierre Georges - Former Mayor of Acigné Donor of the stained glass of Saint Martin evangelizing Rennes.
Hippolyte et Louis de Montigny - Donors Finished the stained glass of Saint Louis and the crown of thorns.

Origin and history

The church Saint-Martin-de-Tours d'Acigné is the parish church of the commune of Acigné, Brittany. Its history dates back to at least the 12th century, with a first mention of a church in 1160. This original building was rebuilt in the 16th and 17th centuries, before falling into ruins.

In 1901, the church, then in poor condition, was completely rebuilt according to the plans of architect Arthur Regnault. The work was completed in 1904. The new church incorporates many furniture elements from the old one, thus preserving part of its historical heritage.

The church's stained glass windows, contemporaneous with its reconstruction, are remarkable for their iconography and donors. Among them is the window of the Annunciation, offered by Pierre Lalouyer, who became bishop in Manchuria, or that of the Holy Family, linked to Pope Pius X. Other stained glass windows celebrate local figures, such as Saint Martin evangelizing the Rennes countryside, or Breton pilgrimages, such as that of Sainte-Anne-d'Auray. Each window bears the names of donors, often religious or civilian personalities from Acigné.

The rosace, representing a choir of angels according to their heavenly hierarchy, and the window of St.Louis reporting the crown of thorns of Christ illustrate the diversity of the themes addressed. These works, made in the style of the time, reflect both the local devotion and the artistic influences of the early twentieth century.

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