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Saint-Victor-et-Sainte-Madeleine Church of Chastel-Marlhac au Monteil dans le Cantal

Patrimoine classé
Eglise romane
Eglise
Clocher-mur
Cantal

Saint-Victor-et-Sainte-Madeleine Church of Chastel-Marlhac

    Chastel
    15240 Le Monteil
Église Saint-Victor-et-Sainte-Madeleine de Chastel-Marlhac
Église Saint-Victor-et-Sainte-Madeleine de Chastel-Marlhac
Crédit photo : EmDee - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
1185
Pontifical Bull
XIIe siècle
Initial construction
XVe siècle
Gothic reconstruction
1794
Revolutionary destruction
1822
Reconstruction of the bell tower
10 octobre 1963
MH classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Cd. A 202): by order of 10 October 1963

Key figures

Marie le Loup de Beauvoir - Abbess of Blesle (1427–1447) Supervises the Gothic reconstruction of the choir.
Isabelle le Loup de Beauvoir - Abbess of Blesle (1447–1481) Continues the 15th century works.
Citoyen Chou-fleur Roux - Revolutionary Commander (1794) Order the destruction of the bell tower.

Origin and history

The Saint-Victor-et-Sainte-Madeleine church of Chastel-Marlhac, located in the Cantal, is an emblematic building of the auvergnat Romanesque style, marked by Gothic transformations. Built in the 12th century, it was modified in the 15th century under the influence of the abbey of Blesle, on which it depended as a priory of noble nuns. His Romanesque porch, typical of the Haute-Auvergne, shares similarities with those of Sauvat or Salers, while his choir and side chapels adopt a Gothic style, with dogive vaults and broken arches.

In 1185, a pontifical bubble confirmed its attachment to the Benedictine abbey of Blesle (High-Loire). In the 14th century, the priory was gathered at the convent of Blesle, leading to the departure of nuns. The choir and chapels, rebuilt in the 15th century under the abbatiats of Marie le Loup de Beauvoir (1427–1447) and Isabelle le Loup de Beauvoir (1447–1481), incorporate re-used novel elements, such as carved capitals. The nave, initially vaulted in a cradle, remains unfinished.

The French Revolution marked a violent turning point: in 1794, the citizen Chou-fleur Roux, a revolutionary commander, ordered the destruction of the bell tower and the burning of statues to punish the inhabitants accused of ringing the tocsin. The peasants, forced to attend the ruin, mourn the loss of their place of worship, according to the accounts of the time. The bell tower was rebuilt in 1822, bearing this date.

Ranked a historical monument in 1963, the church preserves traces of its medieval and revolutionary past. His term, originally dedicated to St.Madeleine, later enriched St. Victor. The building thus combines religious history, Romanesque and Gothic architecture, and memory of political upheavals.

Today, the church is distinguished by its massive porch with palmette decorations, its carved caps (animals, masks) in the chapels, and its Romanesque baptismal tank. The Gothic niches of the lateral chapels, surmounted by medieval inscriptions, bear witness to the stylistic transition between the two periods of construction.

External links