Initial construction XIVe siècle (≈ 1450)
Original Romanesque church according to Hudry and Debernard
1650-1673
Baroque transformation
Baroque transformation 1650-1673 (≈ 1662)
Magnification and Savoyard Baroque style
4 octobre 1972
Registration MH
Registration MH 4 octobre 1972 (≈ 1972)
Classification of official historic monument
1991
Olympic Restoration
Olympic Restoration 1991 (≈ 1991)
Work for the 1992 Winter Olympics
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box E 932): registration by order of 4 October 1972
Key figures
Saint Bonitus (ou Bonnet de Clermont) - Holy patron
Bishop of Clermont (VIth century), dedication
Marius Hudry - Local historian
Author of studies on the church and its history
Henri Debernard - Local historian
Co-author of research on the building
Origin and history
Saint-Bon Church, located in Saint-Bon-Tarentaise (Courchevel, Savoie), is a Catholic religious building dedicated to Saint Bonitus, bishop of Clermont in the sixth century. Originally built as a Romanesque church in the 14th century according to the work of Abbés Hudry and Debernard, it was profoundly transformed between 1650 and 1673 to adopt a Savoyard Baroque style. This reshuffle marked its integration into the regional artistic current, typical of the Alpine churches of the time.
The church was listed as historic monuments on October 4, 1972, recognizing its heritage value. In 1991, major work was undertaken to restore the ground, pillars and woodlots of walnut in preparation for the 1992 Olympic Winter Games. These interventions illustrate its central role in local life, particularly at major events.
Architecturally, the building embodies Savoyard Baroque, a style marked by exuberant decors and harmonious integration with the mountain landscape. It belongs to the parish of Saint-François-de-Sales - Val Vanoise, heiress of an ancient ecclesiastical division where Saint-Bon was an autonomous parish. Its history reflects the religious and artistic evolutions of the Tarentaise, between Romanesque tradition and Baroque influence.
Historical sources, such as Marius Hudry's and Henri Debernard's, underline its importance in local heritage. The church is now communal property and remains an active place of worship, while attracting visitors for its architecture and its link to the region's Olympic history.
Announcements
Please log in to post a review