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Building en Meurthe-et-Moselle

Meurthe-et-Moselle

Building

    2 Rue Bénit
    54000 Nancy
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Crédit photo : Tylda - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1900-1901
Construction of building
février 1902
Fire from the attic
1973
Threat of destruction
16 août 1976
Partial classification
Aujourd'hui
Aujourd'hui

Heritage classified

Façades and roofs on streets including the oriel (Box BY 261): inscription by order of 16 August 1976

Key figures

Henri Gutton - Architect engineer Main building designer, polytechnician.
Henry Gutton - Architect, nephew of Henri Collaborator in project implementation.
Frédéric Schertzer - Engineer and contractor Director of the steel metal structure.
Jules Genin et Camille Louis - Sponsors, grain dealers Initial seed plant owners.
Jacques Grüber - Glass and decorator Author of the glass windows *The Glycines*.
Alexandre Bigot - Ceramicist Supplier of architectural ceramic elements.

Origin and history

The Génin-Louis building, located at the corner of Saint-Jean and Bénit streets in Nancy, was ordered between 1900 and 1901 by Jules Genin and his wife Camille Louis, grain merchants. Designed by architect-engineer Henri Gutton and his nephew Henry Gutton, it is the first nean building with an apparent metal structure combining commercial use (graining on the first two levels) and residential use (housing on the upper floors). The technical realization, bold for the time, is entrusted to engineer Frédéric Schertzer for the riveted steel frame, while the decorative elements — ceramics of Alexander Bigot and glass windows The Glycines of Jacques Grüber — reflect Art Nouveau aesthetics.

The building embodies the synthesis advocated by the École de Nancy between functionality and ornaments, with a facade where the metal structure dialogues with plant motifs (forged iron pads, glass glycines). In 1902, a fire destroyed the attic, and the building, threatened with demolition in 1973, was saved by a restoration in 1975 before its partial classification to historical monuments in 1976. Despite the disappearance of some original elements (marquise, spears), it remains a unique testimony to the collaboration between architects, engineers and Lorraine artisans at the turn of the 20th century.

A representative of the rationalist current inspired by Viollet-le-Duc, the building is distinguished by its innovative constructive process, criticized at the time but pioneer. The decoration concentrates on the golden (bow-window) and the lower berries, where riveted steel is next to stylized floral details. The architect Émile André set up his offices there in 1902, highlighting his attachment to the art milieu of the Netherlands. Today, the facades and roofs, including the golden ones, are protected, preserving this emblematic heritage of the Great East.

External links