Initial construction 2e moitié du XIIe siècle (≈ 1250)
Building of the Romanesque church.
1273
First parish mention
First parish mention 1273 (≈ 1273)
Parish under Sancergues patronage.
XVe siècle
Added bell tower
Added bell tower XVe siècle (≈ 1550)
Square tower integrated with the nave.
XVIe siècle
Lordial Chapel
Lordial Chapel XVIe siècle (≈ 1650)
Addition north of the choir.
16 décembre 2008
MH classification
MH classification 16 décembre 2008 (≈ 2008)
Full registration.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The whole church (cf. A 904, placed le Bourg): registration by order of 16 December 2008
Key figures
Chapitre de Sancergues - Patron of the parish
Mentioned in 1273 as tutor.
Origin and history
The church of Saint-Martial de Montigny, located in the Cher department in the Centre-Val de Loire region, dates from the second half of the 12th century. This monument, classified as a Historical Monument since 2008, is distinguished by its architecture without transept. The nave, initially covered with a panel later replaced by a brick vault, leads to a choir of two vaulted bays in a broken cradle. The hemicycle abside, adorned with a stone cul-de-four with decorative cords, announces the Gothic style by its oric-profile warheads, typical of the Angelian influence. The capitals support stone statues, characteristic of this region.
In the modern era, a 16th century seigneurial chapel was added north of the choir, accessible by an arcade in the middle of the hangar. The bell tower, probably built in the 15th century, rises above the first span of the nave and integrates harmoniously with the original structure. The parish, mentioned in 1273, was placed under the patronage of the chapter of Sancergues, reflecting its local importance. The building, owned by the commune, preserves late Romanesque elements mixed with later additions, testifying to its architectural evolution.
The church's focal point, L-abside, illustrates the transition between Romanesque and Gothic by its dogid branches falling back on statues, a rare decorative part taken for the period in this region. The original panelling, replaced by a brick vault, and the triumphal arch separating nave and choir underline the initial sobriety of the ship. Despite modifications (clocher, chapel), the building maintains a stylistic unit, marked by its recent inscription as the Historical Monuments (2008).