Initial construction 1269 (≈ 1269)
Edited by Arnould III, Count of Guînes
1595
Destruction by Henry IV
Destruction by Henry IV 1595 (≈ 1595)
During the campaign in Artois
1642
First reconstruction
First reconstruction 1642 (≈ 1642)
After the Wars of Religion
1836
Post-revolutionary reconstruction
Post-revolutionary reconstruction 1836 (≈ 1836)
New building after sale as national property
1934
Add art deco bell tower
Add art deco bell tower 1934 (≈ 1934)
Designed by Roger Poyé
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Arnould III - Count of Guines
Church commander in 1269
Henri IV - King of France
Responsible for its destruction in 1595
Roger Poyé - Architect
Author of the bell tower art deco (1934)
Origin and history
The church of Saint Martin de Nortkerque came into being in 1269 when Arnould III, Count of Guînes, ordered its construction. This first building, symbol of local seigneurial power, marks the religious anchoring of the region in the Middle Ages. Its destruction took place almost three centuries later, in 1595, during the conflicts linked to the reconquest of the Artois by Henry IV, illustrating the political and military turbulences of the time.
The reconstruction of the church in 1642 coincided with a period of post-war stabilization of Religion, reflecting the resilience of local communities. However, the French Revolution was another blow to the building: sold to demolishers of Arras as a national good, it was razed for the resale of its materials. This fate, shared by many places of worship, bears witness to the anti-clerical upheavals of the late eighteenth century.
The present church owes its form to a reconstruction in 1836, in a context of restoration of religious heritage under the July monarchy. Its bell tower, added in 1934, is distinguished by its art deco style, entrusted to the architect Roger Poyé. Inspired by the building of the Officers of the port of Calais (now extinct), this aesthetic choice reflects the openness to the modern currents of the inter-war period, while anchoring the building in its territory.
Today, the Church of St. Martin embodies almost eight centuries of history, from medieval lords to the innovations of the twentieth century, to revolutionary destruction. Its eclectic architecture makes it a privileged witness to the cultural and political developments of Nord-Pas-de-Calais.
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