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Church of St. Bartholomew of Osthouse dans le Bas-Rhin

Patrimoine classé
Patrimoine religieux
Eglise de style classique
Bas-Rhin

Church of St. Bartholomew of Osthouse

    Rue du Château
    67150 Osthouse
Église Saint-Barthélemy dOsthouse
Église Saint-Barthélemy dOsthouse
Église Saint-Barthélemy dOsthouse
Église Saint-Barthélemy dOsthouse
Église Saint-Barthélemy dOsthouse
Église Saint-Barthélemy dOsthouse
Église Saint-Barthélemy dOsthouse
Église Saint-Barthélemy dOsthouse
Crédit photo : © Ralph Hammann - Wikimedia Commons - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
XIIe–XIIIe siècle
Construction of the Romanesque tower
1453
Redesigned gate and enlarged tower
1576
Introduction of the Reform
1769
Reconstruction nave and choir
1789
Installation of the first organ
1937
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church, entrances to the cemetery and tombstones of the Zorn de Bulach family, embedded in the cemetery wall: inscription by decree of 28 July 1937

Key figures

Sébastien Zorn de Bulach - Local Lord Introduced the Reformation in 1576
Christiani de Barr - Architect Plans of the nave (1769)
René Kuder - Painter Author of the painting of the high altar
Louis de Sonnenberg - Baron and patron Offer Kuder's painting
Frantz Zorn de Bulach - Baron and donor Finished the paintings of the Way of the Cross
Eveline de Sonnenberg - Baroness Loaned the work table

Origin and history

The church of Saint Barthélemy, located in Osthouse in the Lower Rhine, is a building whose origins date back to the 12th or 13th century for its tower, with major modifications in the 15th and 16th centuries. Originally dedicated to Saint Martin, it was then placed under the name of Saint Bartholomew. The tower, covered by a Thurm-Helm (Prussian helmet), dominates an elevated cemetery, perhaps designed to protect itself from flooding in the Ill or as a fortified cemetery. The current building, with its nave rebuilt in 1769 by architect Christiani de Barr, reflects Baroque and neo-rococo influences, notably in its high altar and stained glass windows signed Ch. Lejail.

The religious history of the place is marked by denominational changes: Catholic originally, the church became Protestant in 1576 under the impulse of Sébastien Zorn of Bulach, before returning to Catholicism after his death. The monument preserves traces of the local corporations (fishers, farmers) through its steel racks, while its organ, installed in 1789 and renovated in the 20th century, bears witness to a rich cultural life. Ranked a historic monument in 1937, the church also houses tombstones of the Zorn de Bulach family, embedded in the cemetery wall.

The interior architecture reveals prestigious gifts: a painting by René Kuder presented by Baron Louis de Sonnenberg, works by Carola Sorg (Chemin de Croix) given by Baron Frantz Zorn de Bulach, and a work of art lent by Baron Eveline de Sonnenberg. These elements illustrate the close links between the building, the local aristocracy and the community, from the Middle Ages to the contemporary era. The reconstruction of 1769, based on earlier plans, and subsequent modifications (XIX–XX century) underline its constant evolution.

External links