Taking possession by Roger d'Orgueil 1462 (≈ 1462)
He became president and financed the works.
2e moitié du XVe siècle
Construction of church
Construction of church 2e moitié du XVe siècle (≈ 1550)
Almost complete reconstruction by Roger d'Orgueil.
1951
Restoration of the bell tower
Restoration of the bell tower 1951 (≈ 1951)
Upper part renovated.
1er juillet 1991
Historical monument classification
Historical monument classification 1er juillet 1991 (≈ 1991)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church of Saint Christophe (Box C 131): Order of 1 July 1991
Key figures
Roger d'Orgueil - Rector and reconstructor
The reconstruction was completed in the 15th century.
Origin and history
Saint-Christophe de Touffailles Church, located in the Tarn-et-Garonne department in Occitanie, is a Catholic religious building built during the second half of the 15th century. It is distinguished by its late Gothic architecture, marked by a vaulted nave of warheads adorned with carved cloves (leaves, flowers, stars with six branches) and a five-sided choir. The bell tower, a massive rectangular tower, was restored in 1951 in its upper part. The frescoes of the nave, though partially erased, represent a cycle of Christ's life, dominated by red, garnet and ochre tones. The church was originally attached to the Cathedral of Cahors, whose chapter held the patronage.
The entrance to the building is through a porch raised by a few steps, flanked by the bell tower to the left. Three side chapels lit by sill windows and quadrilobe networks border the nave. The northern chapel retains a niche painted under an arch in accolade. The church was almost entirely rebuilt at the expense of Roger d'Orgueil, rector from 1462, who added bells, stained glass and cult objects. A sarcophagus of the High Middle Ages, re-used as a lintel, marks the entrance to the designated cemetery. Ranked a historic monument in 1991, it now belongs to the commune of Touffailles.
The historical sources underline the role of Roger d'Orgueil, son of the Lord of Lauture and Boulvé, in the reconstruction of the building. The latter, as rector, supervised the works and gave the church liturgical and decorative elements. The parish, the capital of a simple priory in the 17th century, illustrates the importance of local ecclesiastical networks, especially those linked to Cahors Cathedral. The frescoes, although degraded, bear witness to a regional artistic tradition marked by late influences of southern Gothic. The building, open to visit, remains a remarkable example of the religious heritage of medieval Occitanie.
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