Chapel of La Roche-Derrian 1376 (≈ 1376)
Command by the same lords
fin XIVe siècle
Initial construction
Initial construction fin XIVe siècle (≈ 1495)
For Rolland de Kersaliou and Méance Taupin
XVIe siècle
Major changes
Major changes XVIe siècle (≈ 1650)
Adaptation to the Renaissance
XIXe siècle
Conversion to farm
Conversion to farm XIXe siècle (≈ 1865)
Partial destruction of the house
10 juin 1932
Partial protection
Partial protection 10 juin 1932 (≈ 1932)
Registration of facades and roofs
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs (Cad. AB 356 to 360): inscription by order of 10 June 1932
Key figures
Rolland de Kersaliou - Lord and sponsor
Original Proprio with Taupin Meance
Méance Taupin - Wife of Rolland
Co-commander of the mansion
Jean IV de Montfort - Duke of Brittany
Linked to local chestnuts
Origin and history
The Kersaliou mansion was originally built at the end of the 14th century, probably for Rolland de Kersaliou and his wife Méance Taupin, lords linked to Jean IV de Montfort, Duke of Brittany. This couple, who also sponsored the southern chapel of the church of La Roche-Derrian in 1376, embodied the local aristocracy under the ducal authority. The mansion, conceived as a house-door in schist, reflects their territorial power and piety, with architectural details inspired by neighbouring religious buildings, such as the moulurations of the arches.
In the 16th century, the mansion underwent major changes, marking its adaptation to the residential evolutions of the Renaissance. However, its decline began in the 19th century when it was converted into a farm: the main house was destroyed and replaced by agricultural buildings, leaving only the house-door intact, now close to its original state. These changes illustrate the shift from a seigneurial residence to a rural farm, typical of the social changes in Brittany.
Ranked in the general inventory of cultural heritage and partially protected since 1932 (facades and roofs), the Kersaliou mansion embodies the memory of Breton noble families and their architectural heritage. Its erased coat of arms and its trilobed niches, inspired by local religious art, highlight the close links between secular and sacred power at the end of the Middle Ages. The sources, including Historic Monuments and Wikipedia, confirm its anchoring in the history of the Côtes-d.
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