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Kervaudu Manor au Croisic en Loire-Atlantique

Patrimoine classé
Demeure seigneuriale
Manoir
Loire-Atlantique

Kervaudu Manor

    48-52 Rue de Kervaudu
    44490 Le Croisic
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Manoir de Kervaudu
Crédit photo : Selbymay - Sous licence Creative Commons

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
fin XVe siècle
Construction of the mansion
XVIe siècle
Property of Aubin Le Roy
1907-1930
Residence of Ferdinand du Puigaudeau
1921
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Kervaudu Manor: by order of 11 May 1921

Key figures

Aubin Le Roy - Protestant Owner First known Protestant owner.
René Gentilhomme - Sieur de Lespine and poet Historiographer of Gaston d'Orléans.
Ferdinand du Puigaudeau - Post-impressionist painter Lives and paints the mansion.
Odette du Puigaudeau - Ethnologist He spent his childhood there.

Origin and history

Kervaudu Manor House is a manor house built at the end of the 15th century in the commune of Croisic, Loire-Atlantique. Ranked a historic monument in 1921, it was the first Breton mansion to benefit from this protection. Its name, meaning "domain of the black man", evokes a mysterious origin, while its isolated location, 300 meters from the village, reflects its rural and preserved character.

In the 16th century, the mansion belonged to Aubin Le Roy, one of the first Protestants of the Croisic, illustrating the religious tensions of the time. He then moved to the Gentilhomme family, including René, Sieur de Lespine and Kervaudu, who distinguished himself as royal poet and historiographer of Gaston d'Orléans. Exiled in Holland for his Protestant faith, he died in 1670 without denying his convictions. The mansion, sold as a national good during the Revolution, became a farm in the 19th century.

In the 20th century, the Kervaudu mansion welcomed the post-impressionist painter Ferdinand du Puigaudeau, a member of the Pont-Aven school, who immortalized in many paintings. His daughter, the ethnologist Odette du Puigaudeau, grew up there, adding a cultural and artistic dimension to the history of the place. Today, the mansion remains a major architectural and historical testimony of the region.

External links