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Church of St. Aspais de Melun en Seine-et-Marne

Patrimoine classé
Patrimoine religieux
Architecture gothique flamboyant
Seine-et-Marne

Church of St. Aspais de Melun

    1-7 Rue du Miroir
    77000 Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Église Saint-Aspais de Melun
Crédit photo : Auteur inconnu - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
1322
Rediscovered from the relics of Saint Aspais
1480
Completion of the bell tower
1506
Reconstruction of the facade and naf
1517-1519
Construction of the choir by Jehan de Félin
1546-1556
Church completion by Jehan Francis
1669-1703
Major repair campaign
21 février 1914
Classification of historical monuments
25 août 1944
Allied bombardments
1945-1960
Post-Second World War Restoration
Aujourd'hui
Aujourd'hui

Heritage classified

The Church: Order of 21 February 1914

Key figures

Jehan de Félin - Parisian architect Designs the choir and bedside (1517-1519).
Jehan François - Master-mason local Finish the church according to the plans of Félin (1546-1556).
Pierre Gaudin et Germain Faunyer - Master masons Lead the construction site under Jehan de Félin.
Daniel Gittard - Royal Architect Supervises repairs after 1673.
Albert Bray - MH Chief Architect Directs the restoration post-1944 until 1956.
Guillaume Ier de Melun - Archbishop of Sens Authenticates the relics of Saint Aspais in 1322.
Sébastien Roulliard - Lawyer and hagiographer Sets up an erroneous legend about Saint Aspais (XVIIe).
Jean-Jacques Grüber - Master glass Restore the stained glass windows after 1944.

Origin and history

The Saint-Aspais church of Melun, located on the right bank of the Seine, is a Catholic religious building unique in France by its term dedicated to Saint Aspais, a local evangelizer of the fourth century whose life remains mysterious. Originally built in a suburb, it succeeds a modest Gothic church whose remains were discovered in 2011. At the end of the 15th century, faced with population growth, the inhabitants began to expand, beginning with a new bell tower completed around 1480, followed by the reconstruction of the facade and the first three spans of the nave from 1506 in a flamboyant Gothic style.

In 1517, the Parisian master mason Jehan de Félin, known for his work on the Saint-Jacques Tower, was responsible for directing the construction of the choir and bedside. His ambitious project, marked by a bold elevation and a rich sculpted decor, causes tensions with the cost-conscious marguilliers. The construction site was interrupted in 1519 by a trial, and would only resume in 1546 under the direction of local master-mason Jehan François, who would complete the church around 1556. Despite generous donations for furniture, economic constraints led to structural disorders, requiring major repairs between 1669 and 1703.

The church, classified as a historic monument in 1914, suffered heavy damage during the 1944 bombings, including the destruction of its structure and stained glass windows. Restored between 1945 and 1960, it is now Melun's main parish church. Its architecture, marked by an irregular plan and stylistic homogeneity, as well as its Renaissance stained glass windows and historical furniture, make it a remarkable testimony of the Franciscan religious heritage. Among its treasures are the cilice of Saint Louis, a rare 13th century relic, and carved altarpieces of the 16th and 17th centuries.

The church bedside, treated as a secondary façade, features two richly decorated flamboyant portals, while the interior is distinguished by ivy and third-line vaults, wavy pillars and hanging vault keys. The 16th century stained glass windows, classified as historical monuments, illustrate biblical and hagiographic scenes, such as the life of Saint Francis of Assisi or the Fall. Despite the vicissitudes of its history, including the revolutionary destructions and controversial restorations of the 19th century, the Saint-Aspais church remains a symbol of local devotion and sacred art in Île-de-France.

The origin of the cult of Saint Aspais, patron saint of Melun with Saint Liesne, dates back to the rediscovery of his relics in 1322, after five centuries forgotten. These relics, originally preserved at the abbey of Saint-Père, were solemnly transferred to the church of Saint-Aspais, strengthening its spiritual importance. Over the centuries, the building has also hosted significant events, such as the religious conferences of 1579 under Henry III or the desecrations during the wars of Religion. Its central role in parish life, despite historical hazards, makes it a place of memory and an essential heritage.

Successive restoration campaigns, including those conducted by Albert Bray and Jean Creuzot after 1944, have preserved the most valuable architectural and artistic elements. Today, the church combines medieval traces, such as its 15th century bell tower, with Renaissance and neo-Gothic additions, illustrating stylistic evolutions and functional adaptations over time. Its furniture, including 18th century stalls, 17th century carved medallions and classified paintings, completes this exceptional historical and artistic panorama.

External links