Rediscovered from the relics of Saint Aspais 1322 (≈ 1322)
Solemn transfer to church after their discovery.
1480
Completion of the bell tower
Completion of the bell tower 1480 (≈ 1480)
First phase of expansion work.
1506
Reconstruction of the facade and naf
Reconstruction of the facade and naf 1506 (≈ 1506)
Work begins under a local architect.
1517-1519
Construction of the choir by Jehan de Félin
Construction of the choir by Jehan de Félin 1517-1519 (≈ 1518)
Conflicts with margillars over costs.
1546-1556
Church completion by Jehan Francis
Church completion by Jehan Francis 1546-1556 (≈ 1551)
Compliance with Félin's original plan.
1669-1703
Major repair campaign
Major repair campaign 1669-1703 (≈ 1686)
Partial collapses of vaults and reconstruction.
21 février 1914
Classification of historical monuments
Classification of historical monuments 21 février 1914 (≈ 1914)
Official protection of the building and its stained glass windows.
25 août 1944
Allied bombardments
Allied bombardments 25 août 1944 (≈ 1944)
Partial destruction of the church during liberation.
1945-1960
Post-Second World War Restoration
Post-Second World War Restoration 1945-1960 (≈ 1953)
Reopening to worship in 1960 after reconstruction.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The Church: Order of 21 February 1914
Key figures
Jehan de Félin - Parisian architect
Designs the choir and bedside (1517-1519).
Jehan François - Master-mason local
Finish the church according to the plans of Félin (1546-1556).
Pierre Gaudin et Germain Faunyer - Master masons
Lead the construction site under Jehan de Félin.
Daniel Gittard - Royal Architect
Supervises repairs after 1673.
Albert Bray - MH Chief Architect
Directs the restoration post-1944 until 1956.
Guillaume Ier de Melun - Archbishop of Sens
Authenticates the relics of Saint Aspais in 1322.
Sébastien Roulliard - Lawyer and hagiographer
Sets up an erroneous legend about Saint Aspais (XVIIe).
Jean-Jacques Grüber - Master glass
Restore the stained glass windows after 1944.
Origin and history
The Saint-Aspais church of Melun, located on the right bank of the Seine, is a Catholic religious building unique in France by its term dedicated to Saint Aspais, a local evangelizer of the fourth century whose life remains mysterious. Originally built in a suburb, it succeeds a modest Gothic church whose remains were discovered in 2011. At the end of the 15th century, faced with population growth, the inhabitants began to expand, beginning with a new bell tower completed around 1480, followed by the reconstruction of the facade and the first three spans of the nave from 1506 in a flamboyant Gothic style.
In 1517, the Parisian master mason Jehan de Félin, known for his work on the Saint-Jacques Tower, was responsible for directing the construction of the choir and bedside. His ambitious project, marked by a bold elevation and a rich sculpted decor, causes tensions with the cost-conscious marguilliers. The construction site was interrupted in 1519 by a trial, and would only resume in 1546 under the direction of local master-mason Jehan François, who would complete the church around 1556. Despite generous donations for furniture, economic constraints led to structural disorders, requiring major repairs between 1669 and 1703.
The church, classified as a historic monument in 1914, suffered heavy damage during the 1944 bombings, including the destruction of its structure and stained glass windows. Restored between 1945 and 1960, it is now Melun's main parish church. Its architecture, marked by an irregular plan and stylistic homogeneity, as well as its Renaissance stained glass windows and historical furniture, make it a remarkable testimony of the Franciscan religious heritage. Among its treasures are the cilice of Saint Louis, a rare 13th century relic, and carved altarpieces of the 16th and 17th centuries.
The church bedside, treated as a secondary façade, features two richly decorated flamboyant portals, while the interior is distinguished by ivy and third-line vaults, wavy pillars and hanging vault keys. The 16th century stained glass windows, classified as historical monuments, illustrate biblical and hagiographic scenes, such as the life of Saint Francis of Assisi or the Fall. Despite the vicissitudes of its history, including the revolutionary destructions and controversial restorations of the 19th century, the Saint-Aspais church remains a symbol of local devotion and sacred art in Île-de-France.
The origin of the cult of Saint Aspais, patron saint of Melun with Saint Liesne, dates back to the rediscovery of his relics in 1322, after five centuries forgotten. These relics, originally preserved at the abbey of Saint-Père, were solemnly transferred to the church of Saint-Aspais, strengthening its spiritual importance. Over the centuries, the building has also hosted significant events, such as the religious conferences of 1579 under Henry III or the desecrations during the wars of Religion. Its central role in parish life, despite historical hazards, makes it a place of memory and an essential heritage.
Successive restoration campaigns, including those conducted by Albert Bray and Jean Creuzot after 1944, have preserved the most valuable architectural and artistic elements. Today, the church combines medieval traces, such as its 15th century bell tower, with Renaissance and neo-Gothic additions, illustrating stylistic evolutions and functional adaptations over time. Its furniture, including 18th century stalls, 17th century carved medallions and classified paintings, completes this exceptional historical and artistic panorama.
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