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Church of Olérat en Charente

Charente

Church of Olérat

    1 Chemin de la Chapelle
    16110 La Rochefoucauld-en-Angoumois
Eglise dOlérat
Eglise dOlérat
Eglise dOlérat
Eglise dOlérat
Eglise dOlérat
Eglise dOlérat
Eglise dOlérat
Eglise dOlérat
Eglise dOlérat
Crédit photo : Jack ma - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1900
2000
XIIe siècle
Construction of church
19 novembre 1942
Classification of sculptures
Aujourd'hui
Aujourd'hui

Heritage classified

The three sculpture motifs representing, respectively, the Lion of Saint-Marc, the Lamb and the Beef of Saint-Luc, embedded in the wall of the facade: inscription by decree of 19 November 1942

Key figures

Information non disponible - No character cited The source text does not mention any related historical actors.

Origin and history

The church of Olérat, located in La Rochefoucauld-en-Angoumois (New Aquitaine), is a 12th century religious building. It is distinguished by its facade adorned with three carved motifs, embedded in the wall and classified as Historical Monuments since 1942. These sculptures, on the first floor, represent evangelical symbols: an ox (or St Luke) in the north, a lion (or St Mark) in the south, and a lamb in the centre, placed on a stylized altar. Each figure is surrounded by decorative elements such as foliage rinsels or mouldings, highlighting their iconographic importance.

The protected elements of the church of Olérat specifically include these three sculptures, recognized for their artistic and religious value. The building, owned by the municipality, is located at 5 Chemin de la Chapelle, although the accuracy of this address is considered satisfactory a priori (note 6/10). No information is available on its current accessibility (visits, rentals, accommodation).

The Angoumois region, where La Rochefoucauld is located, was in the 12th century a territory marked by the influence of local lords and the development of Romanesque art. The churches of this period played a central role in community life, serving as places of worship, gathering and symbols of spiritual and temporal power. Olérat's sculptures, with their evangelical representations, illustrate this didactic and sacred function, typical of medieval religious buildings.

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