The Song School Foundation 1413 (≈ 1413)
Created by Bishop Henri le Barbu.
fin XVe siècle
Construction of the mansion
Construction of the mansion fin XVe siècle (≈ 1595)
Residence of the Archdeacon of the Meia.
1837
Acquisition by the diocese
Acquisition by the diocese 1837 (≈ 1837)
Becoming seat of the room.
6 avril 1910
Historical monument classification
Historical monument classification 6 avril 1910 (≈ 1910)
Official protection of the building.
2014
Restoration of the southern façade
Restoration of the southern façade 2014 (≈ 2014)
Work completed in spring.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
La Psallette building: by order of 6 April 1910
Key figures
Henri le Barbu - Bishop of Nantes
Founded the singing school in 1413.
Archidiacre du pays de la Mée - First occupant of the mansion
Living in the house in the 15th century.
Paul Bellamy - Mayor of Nantes
Municipal owner after 1910.
Origin and history
La Psallette is a mansion built at the end of the 15th century in Nantes, in the Gothic style. Originally he served as a residence for the archdeacon of the country of the Meia. The building, in tuffeau and granite, is distinguished by its two turrets, one with a spiral staircase with an atypical helical core. A monumental fireplace adorned with hermines and a carved dais decorates the large second floor room.
Acquired by the diocese of Nantes in 1837, the mansion took the name of Psallette after transferring there the school of singing from the cathedral, founded in 1413 by Bishop Henri le Barbu. The term psallette comes from the Latin psalm ("sing the psalms"). The school left its original location because of the redevelopment of Saint Peter's Square in the 19th century. Ranked a historic monument in 1910, the building then became property of the city under the mandate of Paul Bellamy.
The 2,387 m2 garden, accessible from the St. Lawrence impasse, borders the manor house to the south. The southern façade was completely restored in 2014. The mansion illustrates the medieval Haitian civil architecture, combining religious functions (song school) and residential (archideacon's logis).
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