Marking of the Hochberg Arms 1518 (≈ 1518)
After annexation to the County of Burgundy.
fin XVe siècle
Construction of the cross
Construction of the cross fin XVe siècle (≈ 1595)
Built on a rough rock, then moved.
25 octobre 1906
Historical Monument
Historical Monument 25 octobre 1906 (≈ 1906)
Official protection by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Cross of the old cemetery near the church: by order of 25 October 1906
Key figures
Famille de Montjustin - Lords of Loray
Land holders under the Hochbergs.
Hochberg-Neufchâtel - Feudal suzerains
Blazon hammered after 1518.
Origin and history
The cemetery cross of Loray is a monumental stone cross located in the centre of the village of Loray, in the Doubs department in Burgundy-Franche-Comté. Dating from the late 15th century, it was originally erected on a rough rock before being moved in front of Saint Michael's church. This monument, 4.50 meters high, consists of several elements assembled by iron studs. Its upper part illustrates the Crucifixion, although Christ is no longer represented only in the mutilated torso state. On the reverse side, a statue of Saint Michael, dressed as a gunman and equipped with wings, pierces a dragon from his spear.
The octagonal support of the cross rests on a square pillar with carved faces, one of which shows a man in a casaque holding a human head. The capital, adorned with flamboyant motifs such as rosaceans and spears, houses a statuette of Virgin and Child in a niche. Two coats of arms are visible: that of the Montjustin, local lords under the suzerainety of the Hochbergs at the end of the 15th century, and a second, hammered after 1518, probably linked to the Hochberg-Neufchâtel. These details reflect the feudal ties of the time and subsequent annexation of the region to the County of Burgundy.
Classified as historical monuments since October 25, 1906, the cross is now owned by the municipality of Loray. His iconography, mixing religious symbols (Crucifixion, Virgin with the Child) and military (Saint-Michel in armor), as well as his architectural decorations (folilages, trilobed warheads), make him a remarkable example of funeral and religious art of the late Middle Ages in Franche-Comté. The presence of the coat of arms of the Montjustin and Hochberg underscores its anchor in local seigneurial history.
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