Tour du Rocher Moyen Âge (≈ 1125)
Defensive tower against the Saracen raids.
XVIIe siècle
Construction of the Old Castle
Construction of the Old Castle XVIIe siècle (≈ 1750)
Fort built on Roman and medieval remains.
Vers 1860
Adding the semaphore
Adding the semaphore Vers 1860 (≈ 1860)
Aerial telegraph elevation.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Masque de fer - Anonymous prisoner
Held 11 years in the cell.
Jean Le Gac - Contemporary Artist
Author of *The prisoner painter*.
Origin and history
The Museum of the Iron Mask and the Royal Fort is housed in a 17th century building, built on the remains of a Roman and medieval occupation. The site, often exposed to the Saracen raids, was reinforced by a defensive tower in the Middle Ages and raised in 1860 to install a telegraphic semaphore. The Roman tanks, still visible, today form the rooms on the ground floor, while the "Vieux Château" dominates the island of Sainte-Marguerite, opposite Cannes.
The museum's collections come from DRASM (Department of Underwater and Submarine Archaeological Research), including artifacts from the Roman wrecks and buckwheats of La Tradelière and the Batéguier: ceramics, amphorae, and glasses. Terrestrial excavations on the island also revealed fragments of Roman murals, exposed alongside a reconstitution of a laconium (thermal room). A space is dedicated to state prisons, including the Iron Mask cell, where a mysterious prisoner was detained for eleven years.
The museum also incorporates contemporary works, such as the public commission The prisoner painter of Jean Le Gac, inspired by the prison history of the place. The tanks and the first floor house the archaeological material, while a terrace offers a panoramic view of the French Riviera, from the Southern Alps to the Esterel. A Huguenot memorial and temporary exhibitions of photographs complete the visit, linking historical heritage and modern art.
The Fort Royal, classified as Historic Monument, illustrates the successive strata of occupation of the island: medieval defense, royal prison, and contemporary museum. Its 19th-century semaphore bears witness to its role in maritime communications, while Roman remains recall its ancient anchor. The site, labeled Musée de France, thus combines archaeology, prison history, and Mediterranean landscapes.
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