Crédit photo : Hochstrasser Tanya - Sous licence Creative Commons
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Timeline
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
2e moitié XVIe siècle - 1ère moitié XVIIe siècle
Initial construction
Initial construction 2e moitié XVIe siècle - 1ère moitié XVIIe siècle (≈ 1650)
Construction period mixing Gothic and Renaissance.
1789 (Rvolution française)
Destruction of Arms
Destruction of Arms 1789 (Rvolution française) (≈ 1789)
Arms of Jean Streiff staked.
21 avril 1934
First entry MH
First entry MH 21 avril 1934 (≈ 1934)
Protection of the eye by order.
19 août 1993
Second entry MH
Second entry MH 19 août 1993 (≈ 1993)
Extension to facades on street and courtyard.
XVIIIe siècle et début XXe siècle
Partial changes
Partial changes XVIIIe siècle et début XXe siècle (≈ 2004)
Architectural and functional changes.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Oriel sur rue : inscription by order of 21 April 1934; Façades sur rue et sur cour de la maison Renaissance et de l'aile en retour sur la cour (cad. 20 11): inscription by order of 19 August 1993
Key figures
Jean Streiff de Laufenstein - Bailli de Bouquenom
Suspected occupier, coat of arms destroyed in 1789.
Origin and history
The 11 Grand-Rue House in Sarre-Union is an emblematic building of the transition between Gothic and Renaissance styles, built between the 2nd half of the 16th century and the 1st half of the 17th century. It is distinguished by its polygonal oriel hanging on two levels, whose allegations and windows tops are decorated with carved motifs evoking ironwork. The wing in return on the courtyard, with its two floors and two spans, mixes architectural elements of the two epochs, reflecting a pivotal period of Alsatian history.
According to the sources, this house was said to have been the winter residence of Jean Streiff de Laufenstein, baili de Bouquenom, although his coat of arms were staked during the Revolution, preventing any definitive confirmation. His summer residence was the castle of Diedendorf. The building underwent partial alterations in the 18th and 20th centuries, including the transformation of its entrance into a shop. The building is protected by two successive inscriptions to the historical monuments: the Oriel in 1934 and the façades on street and courtyard in 1993.
Architecturally, the house illustrates the stylistic blending typical of the Alsatian Renaissance, where the Gothic heritage persists in the structures, while the decorations are inspired by Italian innovations. Its oriel, a rare and sophisticated element for the time, bears witness to the high social status of its alleged occupants. Subsequent changes, such as the addition of the shop, reflect the adaptation of the building to local economic needs, a common practice in Alsatian city centres.
The location of the house, in the heart of Saar Union, a city marked by its border history between France and the Holy Empire, adds a geopolitical dimension to its heritage interest. The building is part of an urban fabric with Germanic and French influences, characteristic of the Greater East region. Its state of conservation and its successive protections underline its importance in the regional architectural heritage.
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