Construction of house 1545 (≈ 1545)
Construction with low relief door.
1786
Birth of Marie Bigot
Birth of Marie Bigot 1786 (≈ 1786)
Pianist born in this house.
6 janvier 1930
Inscription of the door
Inscription of the door 6 janvier 1930 (≈ 1930)
Classification as historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Door: entry by order of 6 January 1930
Key figures
Marie Bigot - Pianist and composer
Born in 1786 in this house.
Origin and history
The house located at 48 rue des Marchands in Colmar is an emblematic building of the 2nd quarter of the 16th century, built in 1545. It is distinguished by its arch adorned with bas-reliefs, showing a refined civil architecture for the time. This building, typical of the Alsatian heritage, illustrates the urban development of Colmar during the Renaissance, a period marked by commercial and artistic dynamism.
The house is best known as the birthplace of Marie Bigot (1786), a pianist and composer from a family of musicians. This biographical detail gives the monument an additional cultural dimension, linking local history and musical heritage. The gate, a remarkable architectural element, was listed as historic monuments on January 6, 1930, highlighting its heritage value.
From an architectural point of view, the house reflects the stylistic influences of the Rhine Renaissance, with particular attention to carved decorations. Although the building has undergone further transformations, its current state allows us to appreciate the construction techniques and aesthetic tastes of the sixteenth century. Its location in the historic centre of Colmar, a city preserved for its medieval and reborn heritage, makes it a key witness of this time.
Today, the house is part of a wider tourist trail, including other monuments of Colmar and Upper Rhine. Its history, both architectural and human, makes it a place of memory both intimate and representative of the Alsatian identity. The available sources (Wikipedia, Monumentum) confirm its status as a protected monument, while inviting to explore its urban and social context.
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