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House Art-Deco à Lambersart dans le Nord

House Art-Deco

    62 Avenue Bailly Ducroquet
    59130 Lambersart
Private property
Maison dhabitation Art-Déco
Maison dhabitation Art-Déco
Maison dhabitation Art-Déco
Maison dhabitation Art-Déco
Maison dhabitation Art-Déco
Maison dhabitation Art-Déco
Maison dhabitation Art-Déco
Crédit photo : Pierre André Leclercq - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1929
Similar first house
1932
Construction of the villa
28 juillet 2000
Registration historical monument
2015
Renovation
Aujourd'hui
Aujourd'hui

Heritage classified

Façade and roof on street, as well as the fence wall (Box BD 164): inscription by order of 28 July 2000

Key figures

Alphonse Stevens - Architect Belgian designer of the villa.
G. Lecomte - Sponsor Wine representative, initial owner.
Vincent Vercoutère - Owner Responsible for renovation in 2015.

Origin and history

La Villa Lecomte, located in Lambersart in the Nord department, is an order by G. Lecomte, representative of wines, to the Belgian architect Alphonse Stevens. The latter had already built in 1929 a first house similar to La Madeleine, taking over the same architectural structure. The villa of Lambersart, built in 1932, is distinguished by its marked verticality, accentuated by a concrete portico styling the facade, an ingenious solution to exploit the narrowness of the plot.

The building incorporates a garage on the ground floor, reflecting the architectural innovations of the Art-Deco era. Listed in the inventory of historical monuments on 28 July 2000, the villa was renovated and painted in 2015, led by the architect Vincent Vercoutère. Protected features include the façade, street roofing and fence wall, reflecting its heritage importance.

Alphonse Stevens, a Belgian architect, designed this house as a synthesis between functionality and modern aesthetics. The choice of materials, such as concrete for the portico, and the arrangement of spaces illustrate his avant-garde approach. The villa remains a remarkable example of the adaptation of Art-Deco to urban constraints, while embodying the discreet luxury of the local bourgeoisie of the 1930s.

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