Purchase of land by Faber 1792 (≈ 1792)
Leopold Faber acquired the parcel of the old sacristy.
1793
Construction of house
Construction of house 1793 (≈ 1793)
Building designed by Nicolas Grilllot for Faber.
25 janvier 1979
Historical monument classification
Historical monument classification 25 janvier 1979 (≈ 1979)
Protection of the façade on street by arrest.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Façade sur rue (cad. BY 179): classification by decree of 25 January 1979
Key figures
Nicolas Grillot - Architect
Designed the house in 1793.
Léopold Faber - Forgemaster and sponsor
Initial owner, inspires the scenery.
Claude Michel (Clodion) - Sculptor (incorrect assignment)
Legend of the 19th century without foundation.
Origin and history
The Faber House, better known as Clodion's house, was designed in 1793 by architect Nicolas Grillot for the forge master Leopold Faber. Located at 22 rue Saint-Dizier in Nancy (Meurthe-et-Moselle), it was built on the site of the former sacristy of the Saint-Roch church, as evidenced by a foundation stone in the cellar. The exterior decorations, including two bas-reliefs and three friezes on the ground floor, celebrate the profession of blacksmith and his tools, reflecting the profession of sponsor.
In the 19th century, the sculptures were wrongly attributed to the sculptor Claude Michel, dit Clodion (last representative of the Adam dynasty), fuelling a legend that he had taken refuge in Nancy during the Revolution. This confusion persisted despite the absence of evidence. The street façade, remarkable for its style and iconography, was classified as a historical monument by decree of 25 January 1979. Today, the building belongs to a private company.
The building illustrates the civil architecture of the late eighteenth century, combining classicism and references to local industrial activities. Its ranking protects a heritage linked to the metallurgical history of the region, then growing thanks to families like the Faber. The house remains a testimony of the links between crafts, bourgeoisie and urban planning at the dawn of the Industrial Revolution.
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