Construction of house XVIe siècle (≈ 1650)
Under Abbé François de La Palud, outside the kingdom of France.
1er juin 1927
Registration for historical monuments
Registration for historical monuments 1er juin 1927 (≈ 1927)
Partial protection of the building.
4 décembre 1937
Partial classification
Partial classification 4 décembre 1937 (≈ 1937)
Protected facades and roof.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
House (excluding classified parts): registration by order of 1 June 1927; Facade on the street; lateral facades on the width of a span and roof: classification by decree of 4 December 1937
Key figures
François de La Palud - Abbé de Luxeuil
Suspected sponsor, give his first name to the house.
Origin and history
The "House of François I" is an emblematic building located in Luxeuil-les-Bains, in the Haute-Saône department. Although its name evokes the famous king of France, it was actually built under the authority of Abbé François de La Palud in the 16th century, at a time when the Franche-Comté still depended on the Holy Roman Empire. His deceptive name is explained by the name of his sponsor, the first abbot of Luxeuil to bear this name before the Revolution. The arcades on the ground floor suggest an initial commercial vocation, incompatible with the ecclesiastical status of François de La Palud, which calls into question his real property.
The building is distinguished by its characteristic 16th century architecture, marked by arcade facades and a remarkable roof. Enlisted for historical monuments in 1927 and partially classified in 1937, the house illustrates the civil and religious heritage of the region. The protections specifically concern the facade on street, the side façades (over a span) and the roof. Its official address, 35 rue Victor-Genoux, makes it a central point of interest in the urban fabric of Luxeuil-les-Bains.
Contrary to an idea received, the house had no direct connection with Francis I, king of France from 1515 to 1547. Its construction, however, coincides with its reign, an artistic and architectural Renaissance period in France. Franche-Comté, then under imperial domination, developed a distinct heritage, combining local influences and European styles. The building thus bears witness to the political and cultural dynamics of the period, between regional autonomy and French influence.
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