Construction of house 1893–1897 (≈ 1895)
Edited by architect Paul Destombs for Rémy Cogghe.
4e quart du XIXe siècle
Active artistic period
Active artistic period 4e quart du XIXe siècle (≈ 1987)
Cogghe paints working and Flemish life.
12 août 1998
Historical Monument
Historical Monument 12 août 1998 (≈ 1998)
Protection of the façade, living room and workshop.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The façade and the roof on the street, the living room on the ground floor on street with its painted ceiling and the canvases located above the door and above the fireplace, the painter's workshop located below the attic (cf. LP 46): inscription by order of 12 August 1998
Key figures
Rémy Cogghe - Painter and owner
Designed the interior decorations and used the workshop.
Paul Destombes - Architect
Designed the house between 1893 and 1897.
Origin and history
The house of Rémy Cogghe, located at 22 rue des Fleurs (now Rue Rémy-Cogghe) in Roubaix, was built between 1893 and 1897 by architect Paul Destombes. This Belgian painter, installed in the region since his childhood, designed a space both home and workshop, reflecting his artistic universe. The building, eclectic in style, is distinguished by its red brick facade adorned with bas-reliefs ofangelots, allegorical symbols related to painting.
Inside, the living room preserves decors painted by Cogghe: a ceiling representing angelots on a blue background, as well as marouflage canvases above the fireplace and doors. These works, atypical in its usually realistic and social production, testify to a more dreamlike aesthetic research. The studio below the attic, where the artist made many of his paintings, completes this preserved ensemble.
Rémy Cogghe (1854–1935), trained in the Fine Arts of Paris and Brussels, was a visual chronicler of working life and Flemish traditions. Her home, listed as a Historic Monument in 1998, embodies both her local anchor and her artistic influence. Protected elements include the façade, roof, decorated living room and workshop, highlighting the heritage importance of this place.
The painter, known for his scenes of cock fighting, ball games or popular parties, drew his inspiration from the Roubaisian daily. His work, between naturalism and verism, accurately documents the customs and landscapes of industrial Flanders. The house, today a symbol of this heritage, perpetuates the memory of a major artist from the region.
The protection of the monument in 1998 specifically covers the street façade, the roof, the living room with its painted decorations, and the attic workshop. These provisions preserve a unique testimony of art and architecture of the Belle Époque in the North, while honoring the heritage of a painter engaged in the representation of his time.
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