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Maison de Rémy Cogghe in Roubaix dans le Nord

Patrimoine classé
Maison classée MH

Maison de Rémy Cogghe in Roubaix

    22 Rue Rémy-Cogghe
    59100 Roubaix
Private property
Crédit photo : Velvet - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1893–1897
Construction of house
4e quart du XIXe siècle
Active artistic period
12 août 1998
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

The façade and the roof on the street, the living room on the ground floor on street with its painted ceiling and the canvases located above the door and above the fireplace, the painter's workshop located below the attic (cf. LP 46): inscription by order of 12 August 1998

Key figures

Rémy Cogghe - Painter and owner Designed the interior decorations and used the workshop.
Paul Destombes - Architect Designed the house between 1893 and 1897.

Origin and history

The house of Rémy Cogghe, located at 22 rue des Fleurs (now Rue Rémy-Cogghe) in Roubaix, was built between 1893 and 1897 by architect Paul Destombes. This Belgian painter, installed in the region since his childhood, designed a space both home and workshop, reflecting his artistic universe. The building, eclectic in style, is distinguished by its red brick facade adorned with bas-reliefs ofangelots, allegorical symbols related to painting.

Inside, the living room preserves decors painted by Cogghe: a ceiling representing angelots on a blue background, as well as marouflage canvases above the fireplace and doors. These works, atypical in its usually realistic and social production, testify to a more dreamlike aesthetic research. The studio below the attic, where the artist made many of his paintings, completes this preserved ensemble.

Rémy Cogghe (1854–1935), trained in the Fine Arts of Paris and Brussels, was a visual chronicler of working life and Flemish traditions. Her home, listed as a Historic Monument in 1998, embodies both her local anchor and her artistic influence. Protected elements include the façade, roof, decorated living room and workshop, highlighting the heritage importance of this place.

The painter, known for his scenes of cock fighting, ball games or popular parties, drew his inspiration from the Roubaisian daily. His work, between naturalism and verism, accurately documents the customs and landscapes of industrial Flanders. The house, today a symbol of this heritage, perpetuates the memory of a major artist from the region.

The protection of the monument in 1998 specifically covers the street façade, the roof, the living room with its painted decorations, and the attic workshop. These provisions preserve a unique testimony of art and architecture of the Belle Époque in the North, while honoring the heritage of a painter engaged in the representation of his time.

External links