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Max Ernst House in Saint-Martin-d'Ardèche en Ardèche

Patrimoine classé
Maison classée MH

Max Ernst House in Saint-Martin-d'Ardèche

    Les Alliberts
    07700 Saint-Martin-d'Ardèche
Private property
Crédit photo : Alainauzas - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1937
Purchase by Leonora Carrington
1938-1939
Max Ernst residence
3 septembre 1939
Arrest of Max Ernst
juin 1940
Departure from Leonora Carrington
1991
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

The house (Case A 98): registration by order of 19 November 1991

Key figures

Max Ernst - Surrealist painter Author of the reliefs and paintings of the house.
Leonora Carrington - Artist and partner of Ernst Co-creator of decors, initial owner.
Paul Éluard - Poet and friend of Ernst He was released in 1939.
Albert Joseph Aimé Pagès - Local notary Written the bill of sale in 1940.

Origin and history

Max Ernst's house, located in Saint-Martin-d'Ardèche, is an 18th-century farmhouse purchased in 1937 by Leonora Carrington. She lived there with Max Ernst from 1938 until the declaration of war in September 1939. Ernst, arrested because of his German nationality, was interned in Largentière and then in Camp des Milles. Released at the end of 1939 thanks to Paul Éluard's intervention, he was again imprisoned in May 1940. After his arrest, Leonora Carrington remained alone in the house before leaving France in June 1940, leaving the property to be sold by proxy.

During their stay, Max Ernst and Leonora Carrington made surrealist sculptures and paintings in and around the house. The works still visible include a large exterior relief (Loplop) and sculptures such as the Mermaid and the Minotaure. Other elements, such as interior decorations or canvases (Europe after the rain), were detached or sold after the war. The house, classified as a Historic Monument in 1991, remains a unique testimony to their artistic collaboration, although its integrity was partially altered by sales in the 1980s.

The house also illustrates the upheavals of the period: the exile of artists under occupation, arbitrary arrests of foreigners, and the dispersion of works of art. After the war, Max Ernst returned to France to recover some canvases, such as the European rain. Today, the site is not open to the public, but its exterior wall retains visible traces of this creative and tormented period. The house is protected for its role in the history of surrealism and as a place of memory of the Second World War.

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