Initial construction 1611 (≈ 1611)
Date engraved on the original lintel.
1683
Baroque reshuffle
Baroque reshuffle 1683 (≈ 1683)
Changes including the statue of the Virgin.
1932
MH classification
MH classification 1932 (≈ 1932)
Registration for the façade and its sculpture.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Statue of the virgin with carved console placed on the façade: inscription by decree of 3 June 1932
Key figures
Information non disponible - No character cited
Sources do not mention any owner or artisan.
Origin and history
The house at 45 rue de la République in Guebwiller (Haut-Rhin) is a 17th-century civil building, the first traces of which date back to 1611. The building underwent a renovation in 1683, as evidenced by the architectural elements preserved, including a statue of the Virgin with its carved console, integrated into the façade. These stylistic details reflect the Baroque transformations typical of Alsace at this time.
Classified as a historical monument by order of 3 June 1932, the house is protected specifically for its statue and console, remarkable elements of its exterior decoration. The original lintel, dated 1611 and 1683, was moved and is now kept at 11 rue du old Armand in the same city. This shift illustrates urban changes and the reallocation of heritage elements over the centuries.
Guebwiller, the town of Haut-Rhin in Alsace, was in modern times a dynamic centre linked to the textile and handicraft industry. Bourgeois houses like this bear witness to the prosperity of their owners, often merchants or local notables. Their architecture combines Germanic and French influences, characteristic of this border region marked by intense cultural exchanges.
The inscription as historic monuments in 1932 underscores the heritage value of this building, representative of the Alsatian civil building of the 17th and 18th centuries. The protection concerns above all the carved elements of the facade, which offer a rare example of religious decoration integrated into a private home, reflecting the piety and social status of its occupants.
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