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Gunman Manor à Caen dans le Calvados

Patrimoine classé
Demeure seigneuriale
Manoir

Gunman Manor

    161 Rue Basse
    14000 Caen
Ownership of the region
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Manoir des Gens darmes
Crédit photo : Karldupart - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1487
Founding marriage
Fin XVe - Début XVIe siècle
Construction of the current mansion
1862
MH classification
Années 1930
Industrial use
1944-1970
Emergency City
2014
Sale to individuals
Aujourd'hui
Aujourd'hui

Heritage classified

The house : liste de 1862

Key figures

Gérard de Nollent - Lord and sponsor Fits build the mansion around 1500-1520.
Philippe de Nollent - Lawyer of the King in Caen Husband of Guillemine, heir to the estate.
Alexandre de Couvrechef - Lord of Cressers (XIIIth century) Original owner of the Talbotières.
François Le Révérend - Cooker, Sieur de Calix Owner in the 17th century.
Eugène Liot - Justice of the Peace (XIXe s.) Described the state of the mansion in 1891.

Origin and history

The Manor of the People of Arms, also known as the Manor of Nollent or the Talbotière, is a rare example of Renaissance architecture in Normandy, built between the reigns of Louis XII and François I. Located in Caen in the Orne Valley, it originally belonged to the Couvrechef family before passing by marriage in 1487 to Philippe de Nollent, seigneur of Saint-Contest. His son Gérard erected the present building around 1500-1520, decorated with allegorical medallions and symbolic sculptures such as the salamander of François I.

Ranked a historic monument in 1862, the mansion was used in a variety of ways: closed in the 18th century, ciderry in the 1930s, and then housed an emergency city after 1944. His carved elements, including 37 medallions representing ancient figures or loving currencies (Amor vincit Mortem), were partially deposited in the 20th century for conservation. The west tower, flanked by statues of armed men, gave its present name to the mansion, while the east tower, partially collapsed, was restored.

In the 20th century, the mansion was shared between the City of Caen and the State, hosting the services of the Regional Conservation of Prehistoric Antiquities. Acquired by the Normandy Region in 2000, it housed Crécet before being sold to private individuals in 2014. Its successive restorations (XIX, 1980s) preserved its Louis XIII house, its stone towers of Caen and its decorations, despite the disappearance of some original elements such as gargoyles or the carved 16th century door, today at the Normandy Museum.

The architectural complex, initially lined with a crenellated wall and four towers, preserves only two south towers and the house. The medallions, arranged in dialogue between male and female figures, evoke an allegory of love and death, inspired by the Triumphs of Petrarch. Their iconography, interpreted as portraits of emperors or courtesans (like Dorica), reflects the humanistic erudition of its sponsors.

Its environment, formerly rural until the mid-20th century, was transformed by the Orne pipeline (18th century) and post-Second World War urbanization. Near the Caen Canal to the sea, the manor house remains a testimony to the social and architectural changes of Normandy, from the wars of Religion to Reconstruction.

External links