Crédit photo : Anonyme. Ancienne photo du Manoir des Hamardières. - Sous licence Creative Commons
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Timeline
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
1716
Property of Nicolas Patas
Property of Nicolas Patas 1716 (≈ 1716)
Manor acquired by the former Mayor of Tours.
1787
Mention of the chapel
Mention of the chapel 1787 (≈ 1787)
Religious record of its existence.
1914-1924
Residence of Fernand Ochsé
Residence of Fernand Ochsé 1914-1924 (≈ 1919)
Place transformed into artist residence.
1er mars 1951
Registration for historical monuments
Registration for historical monuments 1er mars 1951 (≈ 1951)
Protection of facades and roofs.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Fronts and roofs (Box ZX 259): inscription by decree of 1 March 1951
Key figures
Nicolas Patas - Former Mayor of Tours and merchant
Owner of the mansion in 1716.
Fernand Ochsé - Composer and musician
Residence at the mansion (1914-1924).
Origin and history
The Hamardières Manor House, located in Fondettes in the department of Indre-et-Loire, is an iconic monument of the eighteenth century. This quadrangular estate, bounded by the streets of Château-Gaillard, Morer, Fountains and Chevallières, embodies the rural tourangelle architecture of the period. His house, communes and park retained their original appearance, despite some minor alterations in the 19th century.
In 1716, the mansion belonged to Nicolas Patas, former mayor of Tours and merchant from Orléan. A religious register of 1787 mentions a chapel dependent on the estate. At the beginning of the 20th century, between 1914 and 1924, composer Fernand Ochsé lived there, transforming the place into an artist's residence. The mansion was listed as a historic monument on March 1, 1951.
Architecturally, the mansion consists of a main building flanked by a wing in return, framing an inner courtyard. The central span, slightly protruding, is surmounted by a triangular pediment pierced by an oculus. A rectangular chapel, located south of the courtyard, and communes complete the whole. The park, preserved since the 18th century, and the agricultural buildings, partially renovated, bear witness to its history.
The site illustrates both the residential tourism heritage and the social evolution of its owners, from local notables such as Patas to 20th century artists. Its designation as historic monuments underscores its heritage and architectural value.
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