Crédit photo : photographie de Christophe.Finot - Sous licence Creative Commons
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Timeline
XIXe siècle
Époque contemporaine
1900
2000
13 mars 1919
Municipal decision
Municipal decision 13 mars 1919 (≈ 1919)
Project launched by the City Council.
22 juin 1923
Project selection
Project selection 22 juin 1923 (≈ 1923)
Max Blondat won the contest.
5 avril 1925
Official Inauguration
Official Inauguration 5 avril 1925 (≈ 1925)
Opening of the monument to the public.
7 avril 2016
Registration MH
Registration MH 7 avril 2016 (≈ 2016)
First heritage protection.
30 septembre 2020
MH classification
MH classification 30 septembre 2020 (≈ 2020)
Definitive protection of the monument.
2024
Complete restoration
Complete restoration 2024 (≈ 2024)
Conservation work carried out.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
In total, the monument to the dead, with its urban developments including luminaires, balustrades and integrated benches, located at the crossing of the Rue du Temple and Boulevard Davout, on the non-cadastre public domain, section EL of the cadastre, as delimited on the plan annexed to the decree: classification by order of 30 September 2020
Key figures
Max Blondat - Sculptor
Author of the winning monument.
Origin and history
The Auxerre Memorial to the Dead was designed to honour the victims of the First World War. On 13 March 1919, the city council of Auxerre launched the idea of such a building, and a contest was organized. The project of Max Blondat, representing Minerve distributing laurels between dead and survivors, was selected on 22 June 1923. This choice symbolizes the recognition of the sacrifices made and the unity between the generations.
Inaugurated on April 5, 1925, the monument is part of a complete urban development, including luminaires, stairs and benches, typical of the Art Deco style. A female figure dominates the composition, surrounded by hair, while a soldier seems to be guarding the rear. This monument, first listed in 2016 and then classified in 2020, has become a central place for patriotic commemorations.
The monument was completely restored in 2024, confirming its heritage importance. Its parvis, located at the intersection of Rue du Temple and Boulevard Davout, remains a space of collective memory. Blondat's work, integrated into the urban landscape, illustrates the post-war moral and civic reconstruction effort.
The Art Deco style of the monument is characterized by geometric shapes and a clean aesthetic, reflecting the artistic trends of the 1920s. The materials and the layout of the elements underline the solemnity of the place, while harmonizing with the urban environment. This monument thus embodies both a duty of memory and a work of public art.
The protection of the monument to the dead of Auxerre, first as an inscription and then as a classification, bears witness to its historical and artistic value. Adjacent developments, such as balustrades and luminaires, are an integral part of the protected work. This site, owned by the municipality, continues to play a key role in local memorial life.
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