Construction decision 1880 (≈ 1880)
Project of a new city hall launched.
14 janvier 1883 - 17 août 1884
Construction of belfry
Construction of belfry 14 janvier 1883 - 17 août 1884 (≈ 1884)
Directed by Louis-Marie Cordonnier on a meadow.
2001
Historical Monument
Historical Monument 2001 (≈ 2001)
Inscription of remarkable facades and interiors.
2005
UNESCO classification
UNESCO classification 2005 (≈ 2005)
Integrated into the belfries of Belgium and France.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The facades and roofs on the rue du Maréchal-Foch; the main staircase and its wrought iron ramp; the waiting room; the three lounges on the first floor and their decoration (Box AM 673): inscription by order of 26 February 2001
Key figures
Louis-Marie Cordonnier - Architect
Designer of the belfry and city hall.
Louis Cordonnier - Architect (father)
Project sponsor for his son.
Origin and history
The town hall of Loos, built between 1883 and 1884, is an emblematic example of the neo-flamand style, typical of Flanders and the old Holland. Its 38-metre belfry, built by architect Louis-Marie Cordonnier on an ancient meadow, dominates the façade of the building. This project marked the beginning of Cordonnier's career, which became a major representative of neo-regionalism, combining public architecture and Flemish decor.
The belfry, which was included in the list of historical monuments in 2001, was also listed as a UNESCO World Heritage Site in 2005 as one of the belfries of Belgium and France. Its red brick structure, adorned with stone bands, dauchuettes and bell towers, illustrates Flemish architectural influence. The vaulted porch, surmounted by a mascaron representing a bearded man's head, supports a semicircular balcony, adding a distinctive sculptural touch.
The decision to build a new town hall in 1880 reflected Loos' municipal ambitions in the Northern Department. Louis Cordonnier, an established architect, entrusted the project to his son Louis-Marie at the beginning of his career. The latter affirmed a personal style, combining public functionality and ornaments inspired by local heritage, laying the foundations for its future reputation.
The protected elements include the facades, the wrought iron honorary staircase, the waiting room and three lounges on the first floor, with their original décor. The building, owned by the commune, remains a symbol of the architectural and historical identity of the Hauts-de-France, while at the same time bearing witness to the urban boom of the late 19th century.
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