Golden age of earthenware XVIIe–XIXe siècles (≈ 1865)
Marans, ceramic production center.
Dernier tiers du XIXe siècle
Establishment of collections
Establishment of collections Dernier tiers du XIXe siècle (≈ 1865)
Collected by the scholar Cappon.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Cappon - Scholar and collector
Founded the museum thanks to his research.
Origin and history
The Cappon Museum was a cultural establishment located in Marans, Charente-Maritime, in an 18th century urban building also home to the tourist office. This small museum, which has now disappeared from the official lists, had gained a local reputation thanks to its specialized collections, especially in earthenware. He benefited from the label Musée de France, recognition of the quality and rarity of his pieces, mainly from the history of Marans and his region.
The collections of the Cappon Museum covered several landmark historical periods for Marans. Gallo-Roman objects (glasses of the 2nd–IIIth centuries, archaeological stones) from local excavations, as well as medieval remains from the church of Saint Stephen and from an ancient castle. The most remarkable section was dedicated to the earthenware of the 17th-18th centuries, recalling that Marans was a major centre of ceramic production. Traditional hats, dolls in local costumes and a model of Charentaise farm complete the set.
Founded in the 19th century by a local scholar named Cappon, the collections were patiently made up of gifts and archaeological discoveries. This character, whose name the museum bore, played a key role in preserving the Marandian heritage. Although the museum has ceased to appear in regional inventories, its heritage bears witness to the historical importance of Marans, between Gallo-Roman, medieval and artisanal heritage.
The building itself, integrated into the tourist office, illustrated the double face of Marans: a river town marked by the Niortis Sèvre and a dynamic artisanal past. The museum was one of the five major cultural sites in the municipality, alongside other places related to its industrial and commercial history. His disappearance from the current registers raises questions about the conservation of small local museums in France.