Crédit photo : photography taken by Christophe.Finot - Sous licence Creative Commons
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Timeline
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
1623
Installation of cistercians
Installation of cistercians 1623 (≈ 1623)
Arrival in Dijon from Tart Abbey.
1675
Creation of the Baldaquin altar
Creation of the Baldaquin altar 1675 (≈ 1675)
Work by Jean Dubois for the Visitation.
1709
Church completion
Church completion 1709 (≈ 1709)
Bernardine Church, called Assumption.
1950
Purchase by the city of Dijon
Purchase by the city of Dijon 1950 (≈ 1950)
Acquisition of Sainte-Anne Church.
1979
Opening of the museum
Opening of the museum 1979 (≈ 1979)
Inauguration by Jean Marilier.
1993
Link to the Perrin Museum
Link to the Perrin Museum 1993 (≈ 1993)
Association with Vie Bourguignonne.
2024
Closure for work
Closure for work 2024 (≈ 2024)
Since January 25, 2024.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Jean Marilier - Chanoine and preservative
Creator of the museum in 1980.
Jean Dubois - Baroque sculptor
Author of the Baldaquin altar (1675).
Louis Trestournel - Architect of the Oratory
Designer of church plans (1709).
Origin and history
The Musée d'Art Sacré de Dijon is a municipal museum dedicated to Burgundian Catholic sacred art, inaugurated in 1980 in the church of Sainte-Anne. Created by Canon Jean Marilier, it brings together sculptures, paintings, furniture and liturgical objects, including relics abandoned during religious reforms. The gallery houses a collection of liturgical clothing from the 18th and 19th centuries, while the museum highlights the daily life of women religious communities.
The church of Sainte-Anne, acquired by the city of Dijon in 1950, was originally that of the monastery of Bernardines, built at the end of the seventeenth century. After serving as the temple of the Theophilanthropists during the Revolution, then as a chapel in the 20th century, it became the museum of sacred art in 1979. In 1993, he was attached to the Musée de la Vie Bourguignonne Perrin de Puycousin. Since January 2024, the museum has been closed for works.
Among the major pieces, the 1675 Baldaquin altar, designed by Jean Dubois for the church of the monastery of the Visitation of Dijon, has been on display since 1804. The building, built according to the plans of Louis Trestournel, a brother of the Oratory, reflects Burgundy's religious architecture. The Cistercians of the abbey of Tart, settled in Dijon in 1623, marked their presence there until the Revolution.
The museum, labeled Musée de France, preserves works ranging from the 12th to the 20th century, illustrating the evolution of religious and artistic practices in Burgundy. Its association with the Musée de la Vie Bourguignonne allows a complementary approach to local history, mixing material and daily heritage of religious communities.
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