Project birth 1945 (≈ 1945)
Idea launched by Georges-Henri Rivière and Michel de Boüard.
1er novembre 1946
Official establishment
Official establishment 1er novembre 1946 (≈ 1946)
Vote by Mayor Yves Guillou.
1963
Open to the public
Open to the public 1963 (≈ 1963)
Installation in the house of governors.
1968
Extension to archaeology
Extension to archaeology 1968 (≈ 1968)
Opening of a dedicated room.
1983
Deposit of Antiquary Collections
Deposit of Antiquary Collections 1983 (≈ 1983)
Major enrichment of archaeological holdings.
2004
Inauguration of ramparts
Inauguration of ramparts 2004 (≈ 2004)
New modern exhibition space.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The following parts of the University: the old science library, in full, and the facades and roofs of all the buildings of the University planned on Bernard's mass plan, as they appear in red on the plan annexed to the decree; the central gate with its glass gallery; the Grand Cour d'honneur and the esplanade with the sculpture Le Phoenix by Louis Leygue; the following interiors: Aula Magna: the large hall, the Pierre-Daure amphitheatre, the university council hall; Jules-Dumont-d'Urville amphitheatre; Right-letter building: the access staircase, the large hall of right known as the "room of the not lost", the Jacques-Heron amphitheatre, the office known as the "dean" located on the first floor, the large reading room of the library on the first floor and the wall paintings of Yvonne Guégan; Science building (former): the access hall with its staircase (HD box 3): classification by order of 15 May 2012
Key figures
Georges-Henri Rivière - Project Initiator
Founder of the National Museum of Popular Arts and Traditions.
Michel de Boüard - First Director (1946-1982)
Professor of history, archaeologist and collector of the first pieces.
Yves Guillou - Mayor of Caen in 1946
Voted the creation of the museum.
Jean Merlet - Chief Architect
Restored the home of the governors.
Origin and history
The Musée de Normandie was created in 1946 on the initiative of Georges-Henri Rivière, founder of the Musée national des Arts et Traditions populaires in Paris. The idea was born in 1945 during a visit to Caen, then in ruins after the Second World War, in the presence of Michel de Boüard, professor of history at the University of Caen, and Jean Vergnet-Ruiz, Inspector General of Museums. The project is validated by Mayor Yves Guillou, but the museum does not have any exhibition or collections. For twenty years, Michel de Boüard, appointed director, collects testimonies of Norman rural traditions with a small team, while the objects are stored in a barracks near Saint-Étienne-le-Vieux church.
Originally planned in the Man Abbey, the museum finally settles in the residence of the governors of Caen Castle, a medieval building remodeled in the 17th and 18th centuries. Restored by architect Jean Merlet, the building officially opened to the public in December 1963. In its early days, the museum is mainly dedicated to ethnography, with 19th-century objects. An archaeological hall was added in 1968, enriched by excavations carried out in Calvados, especially those directed by Michel de Boüard in the very enclosure of the castle.
The collections were considerably enriched in 1983 with the deposit of a large part of the objects of the Société des Antiquaires de Normandie, saved after the 1944 bombings. This collection includes 19th-century archaeological pieces, a medallist of 6,000 coins, and a major collection of revolutionary paper money. The museum is evolving towards a multidisciplinary approach, integrating archaeology, ethnology and history, with dynamic temporary exhibitions from the 1980s onwards. In 2004, the "wall halls", built in a 17th century artillery terrace, became a modern space for exhibitions, also revealing medieval remains such as a 14th century forge and house.
The museum of Normandy is distinguished by its various collections, covering prehistory (slex tools, neolithic trimmings), antiquity (status of the mother goddess of Saint-Aubin-sur-Mer, Gallo-Roman mosaics), the Middle Ages (slaying of the blacksmith's chief of Herouvillette, merovingian fibules), and modern and contemporary periods (normand cabinets, agricultural tools, traditional costumes). It showcases local know-how such as pottery, metallurgy, lace and cider manufacturing. Its museum trail, regularly updated, incorporates recent archaeological discoveries, such as the Gallo-Roman lead ingot found in 2021 off Courseulles.
Since its creation, the museum has played an active role in research, with a restoration laboratory opened in 1980 and reserves accessible to researchers. It also develops an ambitious pedagogical policy, offering tools for schools, thematic courses, and animations. Attendance peaks in 2013 with more than 150,000 visitors, before declining. The museum remains a key player in Normandy's heritage, a member of the Normandy museum network and a partner of the Société des antiquaires de Normandie, while lending its collections regularly for exhibitions in France and abroad.
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