Initial project 1829 (≈ 1829)
Imagination of the museum by the city.
1838
First location
First location 1838 (≈ 1838)
First museum historically located in Dunkirk.
1841
Official Inauguration
Official Inauguration 1841 (≈ 1841)
Opening in the old courthouse.
mai-juin 1940
Bombardment
Bombardment mai-juin 1940 (≈ 1940)
Partial destruction during World War II.
1973
Reconstruction
Reconstruction 1973 (≈ 1973)
Re-opening after work in a modern building.
1er avril 2015
Project closure
Project closure 1er avril 2015 (≈ 2015)
Start of fusion work with the port museum.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Benjamin Morel - Deputy and instigator
Originally created the museum in 1841.
Adolphe Bray - Legate in 1881
Donation of Dutch paintings to the museum.
Benjamin Coffyn - Legate in 1887
Director of the Bank of France, donor of works.
Origin and history
The Museum of Fine Arts in Dunkirk originated in 1829, but was inaugurated only in 1841 in the old courthouse of the city. From its creation, it gathers eclectic collections: natural history, models of boats, extra-European objects reported by sailors, and works of art from revolutionary seizures, including the Abbey of Saint-Winoc in Bergues. These state deposits and private bequests, like those of Adolphe Bray (1881) and Benjamin Coffin (1887), enrich his holdings in Dutch and Flemish paintings of the 17th and 18th centuries.
Bombed during the Second World War in May-June 1940, the museum was rebuilt and reopened in 1973, adopting modern architecture. It is distinguished by its encyclopedic vocation, inherited from the Enlightenment, with more than 10,000 specimens of natural history, archaeological objects (including a golden mummy), and local or exotic collections. Its eclecticism reflects Dunkirk's openness to the world, linked to its maritime and commercial past.
Closed on 1 April 2015, the museum has to merge with the port museum in the Citadelle district, on the site of the tobacco warehouse. This project aims to modernize its museum and unify the collections, while highlighting its artistic and historical heritage, from Italian paintings to ocean objects, to a fund dedicated to contemporary art from the 1950s to the 1980s.
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