Arrival of Zadkine in Paris 1910 (≈ 1910)
Permanent installation of the sculptor in France.
1928
Moving in rue d'Assas
Moving in rue d'Assas 1928 (≈ 1928)
Zadkine moved to his Parisian studio.
1978
Légation à la Ville de Paris
Légation à la Ville de Paris 1978 (≈ 1978)
Valentine Prax executes Zadkine's vow.
19 avril 1982
Opening of the museum
Opening of the museum 19 avril 1982 (≈ 1982)
Official opening to the public.
10 octobre 2012
Re-opening after construction
Re-opening after construction 10 octobre 2012 (≈ 2012)
Rethought museum and improved accessibility.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Ossip Zadkine - Sculptor and founder
Bequeathed his workshop and his works.
Valentine Prax - Wife and artist
Executed the legacy in Paris.
Gilles Clément - Landscape
Designs the museum garden.
Origin and history
The Zadkine Museum is a tribute to the Russian sculptor Ossip Zadkine (1890-1967), installed in Paris in 1910. He occupied the studio and house that the artist had lived in since 1928 at 100 bis rue d'Assas, in the 6th arrondissement. This place, close to the garden of Luxembourg, preserves its sculptures, works on paper and youth creations, marked by its adherence to the cubist movement. The museum also exhibits pieces by Valentine Prax, his wife and artist, who realized his wish to bequeath the workshop and collections to the City of Paris in 1978.
The museum was inaugurated on 19 April 1982 after the death of Valentine Prax in 1981, who had left all the property of the couple. In 2012, after a year of work, he reopened his doors with a rethought museography to restore the original workshop spirit. The garden, designed by landscaper Gilles Clément, highlights works inspired by nature. Managed by Paris Museums since 2013, it is one of the fourteen municipal museums and stands out for its accessibility, especially for visually impaired audiences, allowed to touch sculptures.
Since 1995, the museum has organized three to four temporary exhibitions of contemporary art a year, as well as various cultural events: concerts, readings, or performances. A specialized library, accessible by appointment, keeps manuscripts, archives and books related to Zadkine. The institution thus perpetuates its dual vocation: to preserve the sculptor's heritage while remaining a living place of creation and mediation, faithful to the spirit of openness advocated by Zadkine.