Construction of the sanctuary and false transept 1580–1620 (≈ 1600)
First major architectural phase in limestone.
1659
Retable by Jacques de Létin
Retable by Jacques de Létin 1659 (≈ 1659)
Web representing the Virgin and Saint Dominique.
1678–1680
Edification of the nave and tower
Edification of the nave and tower 1678–1680 (≈ 1679)
Completion of the Latin cross plan.
XVIIIe siècle
Link to the Archpriest of Troyes
Link to the Archpriest of Troyes XVIIIe siècle (≈ 1850)
Change of ecclesiastical guardianship.
1870
Decors painted by Andreazzi
Decors painted by Andreazzi 1870 (≈ 1870)
Ornament of the choir and transept.
14 novembre 1980
Registration for Historic Monuments
Registration for Historic Monuments 14 novembre 1980 (≈ 1980)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church of the Nativity (cad. AB 179): inscription by decree of 14 November 1980
Key figures
Jacques de Létin - Trojan painter
Author of the altarpiece (1659) of the Rosary Chapel.
Andreazzi - Artist decorator
Made the murals in 1870.
Origin and history
The Church of Notre-Dame-de-l'Assomption, also known as the Church of the Nativity, is located in the Aube, in Aix-en-Othe (now Aix-Villemaur-Pâlis). Its architectural history spans three centuries: the sanctuary and the false transept were built between 1580 and 1620, while the nave and tower date from 1678 to 1680. The building adopts a Latin cross plan, with an imposing choir and a four-span nave, all built in limestone on a hard stone base. The interior walls of the transept and choir were decorated with paintings in 1870 by artist Andreazzi.
The southern chapel of the transept, dedicated to the rosary, houses a altarpiece surmounted by a canvas of Jacques de Létin (1659), representing the Virgin giving the rosary to Saint Dominique. This painting, signed by a renowned Trojan painter, illustrates the devotional importance of the place. Historically, the parish depended initially on the dean of Villemaur under the authority of the bishop, before being attached to the archpried of Troyes in the 18th century.
Ranked among historical monuments since 1980, the church embodies both a major religious and architectural heritage of the region. Its official registration (Decree of 14 November 1980) underlines its heritage value, while its communal property guarantees its preservation. Sources also mention links to documentary bases such as Mérimée or the Observatory of Religious Heritage, confirming its anchoring in local and national history.
The periods of construction therefore range from the 16th to the 18th century, with later decorative additions such as Andreazzi's paintings. Jacques de Létin's altarpiece, dated precisely from 1659, is a remarkable artistic element, reflecting the cultural exchanges between Troyes and the surrounding rural parishes. The building, always open to worship, remains a symbol of faith and sacred art in Champagne-Ardenne (now Grand Est).
The exact address, according to the Merimée database, is set at 205 La Ville à Aix-Villemaur-Pâlis (code INSEE 10003), in the Aube department. The location, noted as "a priori satisfactory" (level 6/10), clearly identifies the monument in the heart of the village. The photographic credits, allocated to Hg marigny under Creative Commons license, complement the resources available to document this heritage.
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