Demolition of the castle 1840 (≈ 1840)
Disappearance of moats, pool filled later.
1945 (après-guerre)
Ceiling demolished
Ceiling demolished 1945 (après-guerre) (≈ 1945)
Replacement with a plaster ceiling.
1977
Restoration of the choir
Restoration of the choir 1977 (≈ 1977)
Intervention by Abel Clarens via subscription.
1er février 1978
MH classification
MH classification 1er février 1978 (≈ 1978)
Registration for historical monuments.
2024
Roofing work
Roofing work 2024 (≈ 2024)
Renovation by the municipality.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle Notre-Dame-du-Bout-du-Pont (Box A 148): inscription by order of 1 February 1978
Key figures
Abel Clarens - Restorative painter
Restored the choir decoration in 1977.
Origin and history
The Notre-Dame-du-Bout-du-Pont chapel, located in Lherm in Haute-Garonne, is a 18th-century brick building, although its origin probably dates back to the Middle Ages. Early Romanesque form, it consists of a rectangular nave and a choir in half circle, topped by a small campanile. Its location, at the end of an ancient drawbridge crossing the moat of the feudal castle of Lherm (demoli in 1840), suggests a medieval foundation linked to the reception of serfs and non-titled foreigners, a common practice at the time.
The chapel houses 17th-century frescoes and a 19th-century gold altarpiece, reflecting its artistic evolution. After World War II, it was at risk: its painted ceiling, representing a calvary, was replaced by a plaster ceiling. In 1977, the Toulouse painter Abel Clarens restored the chorus decor through a public subscription, while the stained glass windows were restored by a local artist. A new work campaign in 2024 focused on roofing and zincmaking.
Classified as a historical monument since 1 February 1978, the chapel illustrates the religious and architectural heritage of Occitanie. Its history reflects the transformation of an initially defensive site (fortified enclosure, moat) into a place of worship and heritage, marked by successive restorations. The old pool, filled in the 20th century, was the last visible trace of medieval moat.
The shape of the building, close to the early enclosure towers, and its campanile make it a typical example of the rural chapels of the region. Its inscription in the title of historical monuments underscores its heritage value, both for its architecture and for its interior decorations, mixing medieval, modern and contemporary eras.
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