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Lille Opera dans le Nord

Patrimoine classé
Patrimoine urbain
Opéra
Opéra de Lille
Opéra de Lille
Opéra de Lille
Opéra de Lille
Opéra de Lille
Opéra de Lille
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Opéra de Lille
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Opéra de Lille
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Opéra de Lille
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Opéra de Lille
Opéra de Lille
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Opéra de Lille
Opéra de Lille
Opéra de Lille
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Opéra de Lille
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Opéra de Lille
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Opéra de Lille
Opéra de Lille
Opéra de Lille
Opéra de Lille
Opéra de Lille
Opéra de Lille
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Opéra de Lille
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Opéra de Lille
Crédit photo : Velvet - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
1668
Lille becomes French
1787
Inauguration of the Lequeux theatre
1903
Fire of the Lequeux theatre
1907-1913
Construction of current opera
1915
Inauguration under German occupation
1923
Official reopening
1998-2003
Closure for renovation
2017
Label "Lyric Theatre of National Interest"
Aujourd'hui
Aujourd'hui

Heritage classified

Opera, except machinery (case LN 79): registration by order of 31 December 1999

Key figures

Louis Marie Cordonnier - Architect Manufacturer of current opera (1907-1913).
Michel Lequeux - 18th century architect Built the theatre destroyed in 1903.
Hippolyte Lefèbvre - Sculptor Author of the pediment *Glorification of the Arts*.
Georges Prêtre - Conductor Directed music in 1948.
Alain Vanzo - Tenor Regular artist in the 1960s-70s.
Caroline Sonrier - Director since 2003 Relaunched modern programming.

Origin and history

The Lille Opera, built between 1907 and 1913 by architect Louis Marie Cordonnier, replaces a previous theatre destroyed by a fire in 1903. Inspired by Italian theatres and neo-classical style, his construction site was disrupted by the First World War: occupied by the Germans in 1914, they completed the works and inaugurated in 1915 under the name "German Theatre". The occupying forces organized performances there until 1918, destroying decors and machinery before their departure. The opera finally reopened in 1923 for its "French premiere", marking the beginning of a turbulent history.

The building, built of reinforced concrete according to the Hennebique process and adorned with Soignies stones, embodies the opulence of the Belle Époque. Its Beaux-Arts facade, decorated by sculptors such as Hippolyte Lefèbvre and Alphonse-Amédée Cordonnier, glorifies the arts with a monumental fronton representing Apollo and the Muses. Inside, the 1,138-seat Italian-style hall, richly decorated with sculptures and paintings, was renovated several times, especially in 1973 to enlarge the orchestra pit. Ranked historic monument in 1999, the opera closed in 1998 for a major renovation, reopening in 2003 as part of Lille 2004, European Capital of Culture.

Lyric history dates back to the 17th century, when Lille became French in 1668. The performances, first organized in the hall of the town hall, were growing with the construction of a theatre by Michel Lequeux in 1787, destroyed by a fire in 1903. In the 20th century, opera had a long history ( 1950-1970s with artists such as Georges Priest or Alain Vanzo) and crises (closures in the 1980-90s). Since 2003, under the direction of Caroline Sonrier, he has established himself as a dynamic cultural pole, combining classical repertoire and contemporary creations, with partnerships such as the Orchestre National de Lille or the Concert d'Astrée.

Architecturally, the opera is distinguished by its large foyer adorned with paintings by Georges Picard, its honorary staircases framed by statues (such as the Idylle by Jules Déchin), and its dome surrounded by medallions. The rotunda, a former smoker bar, houses a sculpture by Hippolyte Lefèbvre, The Little Dancer. A symbol of resilience, opera survived wars, financial crises and political rivalries, becoming a lyrical theatre of national interest in 2017, recognized for its regional and international influence.

The current programming reflects a willingness to open up, with lyrical productions, concerts and recitals welcoming renowned artists (Cecilia Bartoli, Roberto Alagna). The opera also takes part in tours and residences, such as that of the Choir of the Lille Opera, directed by Yves Parmentier. Its history, marked by reconstructions and rebirths, makes it a privileged witness to French cultural life, from the Enlightenment to the present day.

External links