Acquisition by Catherine de Médicis 1583 (≈ 1583)
Aborted project of ancient villa on the hill.
1824
Name Trocadéro adopted
Name Trocadéro adopted 1824 (≈ 1824)
Tribute to the French victory in Spain.
1878
Construction of the Trocadéro Palace
Construction of the Trocadéro Palace 1878 (≈ 1878)
For the Universal Exhibition, by Davioud and Bourdais.
1934-1937
Construction of Chaillot Palace
Construction of Chaillot Palace 1934-1937 (≈ 1936)
Replaces the Trocadéro for the 1937 Exhibition.
10 décembre 1948
Signature of the Universal Declaration of Human Rights
Signature of the Universal Declaration of Human Rights 10 décembre 1948 (≈ 1948)
At the UN, in the palace theater.
1985
Renowned esplanade "for human rights"
Renowned esplanade "for human rights" 1985 (≈ 1985)
By François Mitterrand, in tribute to the UN.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and blankets; courtyard and terrace with its staircase; still original decorations (except the renovated theatre) (cad. 16 : 02 DR 2 ; 16 : 04 FR 52): classification by decree of 24 December 1980
Key figures
Léon Azéma - Chief Architect
Co-conceptor of the palace, winner of the Grand Prix of Rome.
Jacques Carlu - Architect and urbanist
Designed the provisional UN buildings.
Louis-Hippolyte Boileau - Architect
Co-author of the neo-classical 1937 project.
Paul Valéry - Poet and philosopher
Author of the inscriptions of the palace frontons.
Adolf Hitler - Nazi leader
Visit the palace in June 1940 during the occupation.
Jean Vilar - Director of the National People's Theatre
Relaunched theatre in the 1950s.
Origin and history
The Palais de Chaillot was built between 1934 and 1937 on the hill of Chaillot, in the 16th arrondissement of Paris, for the Universal Exhibition of 1937. Designed by architects Léon Azema, Jacques Carlu and Louis-Hippolyte Boileau, it replaces the Palais du Trocadéro, built in 1878 for a previous Universal Exhibition. The new palace partially preserves the structure of the old, especially its curvilinear wings, but adopts a refined neoclassical style, contrasting with the eclecticism of the previous building.
The Trocadéro site has a complex history, marked by architectural projects aborted since the Ancien Régime. In the 16th century, Catherine de Medici planned to build a villa inspired by antiquity, but the land then passed into the hands of religious, then was destroyed during the Revolution. In the 19th century, Napoleon I planned to erect a palace for his son, the king of Rome, but the project was abandoned. The name Trocadéro was adopted in 1824 in tribute to the French victory at Cadiz in 1823.
The Trocadéro Palace, built for the Universal Exhibition of 1878 by Gabriel Davioud and Jules Bourdais, initially houses the Musée des Monuments Françaises and a museum of ethnography. Critiqued for his style considered too eclectic, he was demolished in 1935 to give way to the Palais de Chaillot. The latter, with its 41,000 m2, includes museums (Human Museum, National Marine Museum), a national theatre, and becomes an emblematic place of culture and diplomacy, hosting notably the UN General Assembly in 1948 and 1951.
During World War II, the palace was occupied by German forces, and Adolf Hitler visited it in June 1940. After the Liberation, it became a symbol of peace and human rights, hosting the signing of the Universal Declaration of Human Rights in 1948. In the 1950s, it temporarily hosted the headquarters of NATO before fully devoted to its cultural vocation, with major renovations in the 21st century, notably for the Human Museum and the National Marine Museum.
The architecture of the Palais de Chaillot is distinguished by its two pavilions surmounted by monumental sculptures (works by Raymond Delamarre and Carlo Sarrabezolles), its terraced gardens offering stunning views of the Eiffel Tower, and its human rights parvis, renowned in 1985. The national theatre, which has been renovated several times, is a major place for the live performance, while the facades, classified as historical monuments in 1980, illustrate the art deco and neo-classicism of the inter-war period.
The palace embodies values of peace and culture, as evidenced by Paul Valéry's inscriptions on his pediments, commissioned for the 1937 Exhibition. These currencies, combined with allegorical sculptures (Hercules, Apollo), underline its symbolic dimension. Today, the palace houses the City of Architecture and Heritage, the Museum of Man, and the Chaillot National Theatre, perpetuating its role as a place of memory and creation.
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Future
The Palais de Chaillot houses several museums including the Musée de l'Homme, de la Marine in its western wing, the Théâtre national de Chaillot, as well as the Cité de l'architecture et du patrimoine in its eastern wing (Musée des monuments français, École de Chaillot and Institut français d'architecture (IFA)).
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