Reconstruction of the choir 1861 (≈ 1861)
Choir with cut strips rebuilt by Béziers-Lafosse.
1892-1894
Construction of the current church
Construction of the current church 1892-1894 (≈ 1893)
Building built by Arthur Regnault.
1895
Installation of electrical lighting
Installation of electrical lighting 1895 (≈ 1895)
Early modernization of the building.
18 juillet 2014
Registration for historical monuments
Registration for historical monuments 18 juillet 2014 (≈ 2014)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Box AB 59): inscription by decree of 18 July 2014
Key figures
Arthur Regnault - Architect
Church designer in Gothic Revival style.
Albert Béziers-Lafosse - Architect
Rebuilt the choir in 1861.
Origin and history
Saint-Pierre de Noyal-sur-Vilaine Church, located in Ille-et-Vilaine, is a Catholic religious building built between 1892 and 1894 by architect Arthur Regnault. It replaces an old church made up of a 16th century nave and a Roman collateral, considered too dilapidated. This atypical project is inspired by the flamboyant Gothic, with a hexagonal structure and complex vaults with liernes and thirdons.
The church is distinguished by its lack of transept and its bell tower with a steep staircase tower, characteristic of the Gothic Revival style. The interior, marked by a central nave separated by pillars, features curved hexagonal vaults and mostly original stained glass windows. The building, listed as a historical monument in 2014, is notable for its rich exterior décor and the fluidity of its interior volumes.
The church is located in the centre of the village of Noyal-sur-Vilaine, on an oval plot corresponding to the old cemetery. It is surrounded by the town hall square, the passage of the motte, and neighbouring with the Priory Saint-Martin, a 16th century construction. The building, owned by the commune, is a remarkable example of the religious architecture of the late 19th century in Brittany.
Arthur Regnault, a Rennes architect specializing in sacred art, conceived this building as a synthesis of late Gothic, with a marked opposition between external austerity and interior brightness. Hot limestone contrasts with grey-blue exteriors, highlighted by zinc balustrades stamped. The church, though modest in appearance, offers a strong aesthetic experience.
The old church, partially rebuilt in 1861 by Albert Béziers-Lafosse, was in an advanced state of disrepair. The choir had been redone, but the nave, too damaged, caused a total reconstruction. Regnault's project, conducted between 1892 and 1894, incorporated innovations such as electric lighting in 1895, reflecting the technical advances of the time.
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