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Saint-Gervais-Saint-Protais Church en Seine-Saint-Denis

Seine-Saint-Denis

Saint-Gervais-Saint-Protais Church

    34 Rue de Paris
    93380 Pierrefitte-sur-Seine
Scanné par Claude Shoshany

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
début XIIIe siècle
First certificate
1599
Documented dedication
1856–1857
Total reconstruction
1862
Installation of organ
1980
Restoration of the organ
octobre 2018
Integration with Compostela
Aujourd'hui
Aujourd'hui

Key figures

Paul-Eugène Lequeux - Architect Reconstructed the church in 1856–57.
Edmond Louis Dupain - Painter Author of a sketch of martyrdom (1875–77).
Charles Timbal - Painter Realized the fresco of Christ in glory.
Impératrice Eugénie - Presumed patron Would have offered the bell.
Ateliers Cavaillé-Coll - Organ factors Organ installed in 1862.

Origin and history

The church Saint-Gervais-Saint-Protais of Pierrefitte-sur-Seine, in Seine-Saint-Denis, is attested from the beginning of the thirteenth century. A dedication was mentioned in 1599, and a Romanesque capital of the 12th or 13th century, used as a baptismal tank, bears witness to its medieval origin. The current baptismal fonts come from the previous building, highlighting historical continuity despite the reconstructions.

The present church, facing southeast, was rebuilt in 1856 under the direction of architect Paul-Eugène Lequeux and consecrated on October 21, 1857. It houses notable works, including two paintings (a Saint Jerome and a martyrdom of Saints Gervais and Protais) and a mural by Charles Timbal depicting Christ in glory. A bell was allegedly offered by Empress Eugénie, and the organ, signed Cavaillé-Coll (1862), was restored in 1980.

Integrated with the roads of Compostela since 2018, the church is distinguished by its longitudinal plane with three ships and five spans, with a bedside in semicircular apse. Its architecture blends Romanesque heritage (baptism) and 19th century neo-classical style, reflecting the artistic and religious evolutions of the region.

Among the heritage elements, a sketch by Edmond Louis Dupain (1875–77), owned by the Petit Palais, illustrates the martyrdom of the patron saint. These artistic and historical details make it a key monument of local heritage, linked to both medieval devotion and modern urbanization of the Common Plain.

External links