First written entry 1011 (≈ 1011)
Church quoted in a historical document.
XIe siècle
Initial construction
Initial construction XIe siècle (≈ 1150)
Building of the Romanesque church and its bedside.
XVIIIe siècle
Major renovations
Major renovations XVIIIe siècle (≈ 1850)
Add a collateral and new portal.
23 octobre 1972
Historical Monument
Historical Monument 23 octobre 1972 (≈ 1972)
Official registration for monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box B 294): inscription by decree of 23 October 1972
Key figures
Information non disponible - No character cited
The source text does not mention any actors.
Origin and history
The Saint-Saturnin church of Boule-d'Amont, mentioned in 1011, was built in the 11th century in a characteristic Romanesque style. Its initial architecture, marked by a single nave and a semicircular apse, reflects the visible Lombard influence in the blind leesenes and archatures of the bedside. This religious monument is part of the Aspres landscape, between Conflent and Vallespir, on a major historical axis.
In the 18th century, the building underwent major changes: a northern collateral was added, and the western portal, of Romanesque tradition, replaced the original southern entrance. These changes, although late, partially respected the original style, as evidenced by the arches in full hanger and the massive harps of the new door. The bell tower-wall, typical of rural churches, still dominates the facade.
Ranked a Historical Monument in 1972, the church preserves remarkable furniture elements, including 18th-century vantals decorated with spiral hangings. These details, combined with the Lombard decoration of the bedside, illustrate the superposition of the epochs. The altarpiece of the Rosary and its statues, protected as movable objects, also underline its central role in local spiritual life.
The building is part of a dense heritage network, close to the priory of Serrabona and the chapel of the Trinity of Prunet and Belpuig. These geographical and historical links reinforce its importance in Catalan Romanesque heritage. The brown and grey stones of the abside, assembled in irregular apparatus, recall local resources and medieval know-how.
The simple ebrasing windows of the abside, surmounted by arches in the middle of the hang, as well as the chorus span preceding the abside, reveal a medieval liturgical conception. The enlargement of the 18th century, with its arches in the middle of the north wall, shows an adaptation to the needs of a growing community, while preserving the original Romanesque spirit.
Announcements
Please log in to post a review