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Saint-Sauveur parish church à Mazamet dans le Tarn

Tarn

Saint-Sauveur parish church

    11 Place Philippe Olombel
    81200 Mazamet
Église paroissiale Saint-Sauveur
Église paroissiale Saint-Sauveur
Église paroissiale Saint-Sauveur
Église paroissiale Saint-Sauveur
Église paroissiale Saint-Sauveur
Église paroissiale Saint-Sauveur
Église paroissiale Saint-Sauveur
Église paroissiale Saint-Sauveur
Église paroissiale Saint-Sauveur
Crédit photo : Arnoux Pascal - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
1740
Construction decision
1742-1767
Construction of church
1755
Adding foothills
1863
Restoration by Caraguel
1954
Restoration by Carivenc
2022
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

The parish church of Saint-Sauveur, in full, as delimited in red on the plan annexed to the decree, is located 11 Place Philippe-Olombel, on the plot shown in the cadastre section AB n°221: inscription by order of 7 March 2022

Key figures

Curé Caraguel - Sponsor of the 1863 works Future Bishop of Perpignan
Jacques Pauthe - Decorative painter in 1863 Author of the interior decoration
Amédée Bergès - Toulouse Master Glass Creator of stained glass in 1863
Chanoine Carivenc - Initiator of the 1954 restoration Recommended by Pierre Millet
André Regagnon - Restoration painter in 1954 Author of vaults and canvases
Pierre Millet - Architect advisor in 1954 Restoration Collaborator

Origin and history

The parish church of Saint-Sauveur in Mazamet, built in the 18th century, responds to the influx of a rural Catholic population attracted by the development of the textile industry in this then predominantly Protestant region. Its construction, decided in 1740, began in 1742 on the site of an ancient Protestant temple on Plo Square. The works, completed in 1767, were marked by bad features requiring the addition of eight foothills in 1755 to stabilize the side walls. Its sober architecture, inspired by Italian baroque, is distinguished by a neoclassical facade and an octagonal two-storey bell tower.

In 1863, under the impulse of the parish priest Caraguel (later Bishop of Perpignan), the church underwent a major restoration: the painter Jacques Pauthe decorated the entire interior, while Amédée Bergès, a Toulouse master glassmaker, realized the stained glass windows. A century later, in 1954, Canon Carivenc launched a new work campaign with architect Pierre Millet and painter André Regagnon. The latter recaptures the vaults, adding murals in the lower side and marouflages in the choir, inspired by the works of Hippolyte Flandrin and primitive Italians. The decoration glorifies Christ surrounded by saints in procession, mixing medieval and modern influences.

Ranked a historic monument in 2022, the Church of Saint-Sauveur illustrates the social and artistic transformations of Mazamet, linked to its industrial development. Its present state, after a diagnosis in 2019 revealing the need for work, reflects almost three centuries of history, between Protestant heritage, Catholic expansion and preserved architectural heritage.

External links