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Lordship of the Great Curve à Brée en Mayenne

Lordship of the Great Curve

    1080 Route de Saint Christophe
    53150 Brée
Private property
Seigneurie de la Grande Courbe
Seigneurie de la Grande Courbe
Seigneurie de la Grande Courbe
Seigneurie de la Grande Courbe
Seigneurie de la Grande Courbe
Crédit photo : MontdErve - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIIe siècle
Original seigneurial habitat
Début XIIIe siècle
Construction of the large hall
Milieu XIVe siècle
Adding the old house
Fin XIVe siècle
Adding a floor
XVe siècle
Major transformations
1560
Completion of the new house
Fin XVIe siècle
Wall of defensive enclosure
22 septembre 1995
Registration for Historic Monuments
Aujourd'hui
Aujourd'hui

Heritage classified

All of the building, with its remaining murals, including the enclosure, moat and land inside the enclosure (Box B 733-737): inscription by order of 22 September 1995

Key figures

Jean Le Vayer de Voutré - First recognized lord Cited in 1299, officer of Henry d'Avaugour.
Perrette Le Vayer - Heir and wife Bring the Curve to Vassé (1380).
Jean de Vassé - Lord by marriage Husband of Perrette, expands the estate.
Groignet de Vassé - Lord and strategist Increases wealth by purchases (1422-1423).
Jacquette de Vassé - Lady of the Curve Wife Ambrose Le Cornu, unify the seigneuries.
Ambroise Le Cornu V - Last great lord Burdened in 1604, family remained Catholic.
Nicolas Le Cornu - Bishop of Saints Son of Ambrose V, religious figure.

Origin and history

The seigneury of the Grand Courbe, located in Brée en Mayenne, is an emblematic 13th century monument. Originally, the site housed a manored seigneurial habitat, built in the 12th century near the Murailles, 400 metres from the present castle. At the beginning of the 13th century, a large room of 18 × 11 meters, with a monumental fireplace and carved medallions, was erected. These medallions represent a miring tiger and a rider carrying a young tiger, symbols drawn from the medieval bestiary. This building, originally without floors, was modified over the centuries, reflecting the evolution of the defensive and residential needs of the local lords.

In the 14th century, a second building, the "old house", was added at the corner of the large hall, which was then narrowed and equipped with a new fireplace. A kitchen and its outbuildings were built perpendicularly. Towards the end of the 14th century, a floor was added to the large room, allowing the layout of an upper room and a square room. A tower of latrines was also built, served by an outdoor gallery. These transformations illustrate the progressive adaptation of the castle to the requirements of comfort and defense, in a context marked by the Hundred Years' War and feudal tensions.

In the 15th century, the castle underwent new major changes: the old house was transformed into a kitchen, a tower of glory and a chapel were added, and the new house was raised. A tower of latrines completed these developments. Around 1560, the elevation of the new house was completed, with the addition of an upper bedroom and a cabinet, while a gallery was extended to serve the new rooms. The façade was decorated with pediments decorated with volutes and firepots, characteristic of the Renaissance. Finally, at the end of the sixteenth century, a wall of enclosure defended by four towers was erected to strengthen the external defences, reflecting the tensions of the Wars of Religion.

The seigneury of the Great Curve was owned by several noble families, including the Vayer, the Vassé and Le Cornu. Jean Le Vayer, quoted in 1299, was one of the first recognized lords. The seigneury then passed to the family of Vassé by the marriage of Perrette Le Vayer with Jean de Vassé in the 14th century. The Cornu, born from the union of Jacquette de Vasse with Ambrose Le Cornu, deeply marked the history of the castle, with figures like Ambroise Le Cornu V, buried in 1604, and his son Nicolas, bishop of Saintes. These families played a key role in the architectural transformations and seigneurial management of the estate.

The Château de la Grande Courbe was a castle with high, medium and low justice rights. He was partially covered by the chapter of Le Mans, by the king's brother for certain lands, and by the castle of Brée for his title of chestnutry. The estate included cens, rents, and seigneurial rights over much of the parish, as well as moors in Charnie. These elements demonstrate the economic and legal importance of the seigneury in the region, as well as its integration into the feudal and religious networks of Maine and Anjou.

Today, the castle has been protected under the Historic Monuments since 22 September 1995. The whole house preserved its 16th century organization, with remarkable elements such as the 13th century wall paintings in the large hall. Although partially in ruins, the site also includes a motte located in the Murailles, in the neighbouring town of Saint-Christophe-du-Luat. The chapel, which had disappeared, and the service buildings (porch of entry, barn, and escape) once completed this seigneurial ensemble, illustrating its evolution over more than four centuries.

External links