Installation of the organ 1889 (≈ 1889)
The work of Heinrich Koulen.
4e quart du XIXe siècle
Construction of the temple
Construction of the temple 4e quart du XIXe siècle (≈ 1987)
Construction period by A. Jerschke.
19 août 1993
Registration for Historic Monuments
Registration for Historic Monuments 19 août 1993 (≈ 1993)
Protection of the façade and temple.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facade on the street; First floor temple (cad. 81 43): inscription by decree of 19 August 1993
Key figures
Frédéric Piton - Homonymous Masonic Figure
Name given to the temple in his honor.
Heinrich Koulen - Organ factor
Built the organ in 1889.
A. Jerschke - Temple architect
Manufacturer of the Masonic building.
Origin and history
The Masonic temple Frédéric-Piton, located at 11 rue du Maréchal-Joffre in Strasbourg, is an emblematic building of Freemasonry in the East. Built during the last quarter of the 19th century, it embodies the architecture and values of the Masonic lodges of the time, in an area then marked by intense cultural exchanges between French and German influences. Its inscription as a Historic Monument in 1993 underlines its heritage importance, both for its style and for its role in local history.
The building is distinguished by its organ, made in 1889 by the factor Heinrich Koulen, a rare element in a Masonic temple and showing attention to acoustics and ceremonies. Designed by architect A. Jerschke, the building combines urban discretion (a sober street façade) and interior spaces dedicated to rituals, such as the temple on the first floor. Owned by a private company, there remains an active place, although its access to the public is restricted, reflecting the duality between Masonic secrecy and shared heritage.
The Strasbourg location of the temple is not annoyed: Strasbourg, a border town and symbol of Franco-German tensions, housed a dynamic Masonic community in the 19th century. The Frédéric-Piton temple, named in homage to a local Masonic figure, is part of this tradition. Available sources, such as Michel Wernert's work, underline his continued role since 1884, despite the historical upheavals of Alsace. Its state of conservation, considered satisfactory (note 8/10), and its partial protection (facade and temple on the first floor) guarantee its sustainability.
Beyond its architecture, the temple illustrates the anchoring of Freemasonry in the social landscape of Strasbourg. The lodges, like the Reunited Brothers mentioned in the bibliography, played a role in the intellectual and philanthropic networks of the city. Today, the building embodies both a spiritual heritage and an urban marker, between Masonic memory and Strasbourg heritage, accessible via occasional visits or specific events.
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