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Théâtre de la Gaité Lyrique à Paris 1er dans Paris

Paris

Théâtre de la Gaité Lyrique

    3 BIS Rue Papin
    75003 Paris 3e Arrondissement
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Théâtre de la Gaité Lyrique
Crédit photo : Wikimedia Commons / Mu - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1759
Foundation by Nicolet
1808
Reconstruction by Peyre
1835
Fire and reconstruction
1862
Transfer to Papin Street
1873
Directorate of Offenbach
1984
Historical monument classification
2011
Re-opening as a cultural centre
2024-2025
Occupation by migrants
Aujourd'hui
Aujourd'hui

Heritage classified

Théâtre de la Gaité Lyrique (cad. 03:01 AD 7): registration by order of 28 February 1984

Key figures

Jean-Baptiste Nicolet - Founder Created the forain show in 1759.
René-Charles Guilbert de Pixerécourt - Director (1825-1830) Promut melodrama at Gaîté.
Jacques Offenbach - Director (1873) Turned the hall into a lyrical theatre.
Alphonse Cusin - Architect Designed the present room in 1862.
Manuelle Gautrand - Architect (2011) Directed the contemporary renovation.
Serge Diaghilev - Impresario Russian ballets in 1918.

Origin and history

The Théâtre de la Gaîté Lyrique, originally named Théâtre de la Gaîté, came into being in 1759 when Jean-Baptiste Nicolet installed a forain show on Boulevard du Temple. This place, rival of the Comédie-Italienne, evolved during the Revolution: it became the theatre of the Grand Danseurs du Roi (1772), then the theatre of the Gaîté (1792). After several reconstructions (notably in 1808 by Antoine Peyre and in 1835 after a fire), he established himself as a melodrama temple under the direction of René-Charles Guilbert de Pixerécourt (1825-1830). Attended by Napoleon III, he was moved in 1862 to his current location, rue Papin, in a room designed by Alphonse Cusin.

In 1873 Jacques Offenbach made him a lyrical theatre, creating operas such as Paul and Virginia (1876). Ranked a historic monument in 1984, the building underwent radical transformations: Magic Planet amusement park (1989-1991), then abandoned until its renovation in 2011 by Manuelle Gautrand. Since then, the Gaîté Lyrique has devoted itself to digital arts, combining heritage (façade and imperial foyer preserved) and innovation. Its eclectic architecture, with sculptures depicting Molière and Shakespeare, bears witness to its theatrical heritage.

The site experienced troubled periods, such as its occupation by migrants in 2024-2025, resulting in a temporary suspension of its activities. Despite these challenges, it remains a symbol of Parisian culture, combining history (Russian Ballets in 1918, Luis Mariano in the 1950s) and contemporaneity. Today, managed by a consortium including Arte et Actes Sud, it embodies the hybridization of traditional arts and new technologies.

External links