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Heritage classified

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Origin and history

The Lons-le-Saunier Theatre is an Italian theatre built between 1845 and 1848 on the site of an ancient calvary dedicated to Saint Paul. Originally run by a private company, it was bought by the city in 1891, marking the beginning of a first restoration campaign. Its architecture, typical of 19th century theatres, reflects the influence of Parisian models, notably after its reconstruction in 1902-1903 by architects Georges and Tony Ferret, following a fire in 1901.

The theatre underwent several major transformations, including a new fire in 1983 which led to the conversion of its festive hall to Carcom (Carrefour de la Communication). Ranked a historic monument in 1994 at the initiative of Jacques Pélissard, it also houses spaces such as the Grand Café de Strasbourg and the Grand Café du Théâtre. Its painted ceiling, signed L. Bardey, and its interior decorations testify to its rich artistic and cultural background.

The building was designed by architect Lambert between 1845 and 1847 and modified several times, notably by Achilles Paillot between 1890 and 1893. Its partial destruction in 1901 allowed a reconstruction inspired by the Opéra Garnier, strengthening its local prestige. Today owned by the municipality, it embodies both an architectural heritage and a living place of spectacle, despite the hazards of its history.

The theatre is part of an urban context marked by the previous demolition of an unfinished church (1755-1845), whose initial plans were signed by engineer Jean Querret-du-Bois. This change in land use reflects the cultural and political priorities of Lons-le-Saunier in the 19th century, where theatre became a symbol of modernity and influence for the city.

Its classification in 1994 protects not only its structure but also emblematic elements such as the decor of the Café de Strasbourg, stressing the importance of preserving the integrity of its heritage. The successive fires, although destructive, paradoxically allowed renovations that enriched its history, mixing architectural styles and distinct epochs.

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